diff --git a/Manuals/Docbook/Repository/History/section-2.docbook b/Manuals/Docbook/Repository/History/section-2.docbook
index 63515cf..815893b 100644
--- a/Manuals/Docbook/Repository/History/section-2.docbook
+++ b/Manuals/Docbook/Repository/History/section-2.docbook
@@ -4,38 +4,44 @@
2009
The rendition script is at a very rustic state where only
- slide images can be produced.
+ slide images can be produced, so it was redesigned to extend the
+ image production to other areas, not just slide images. In this
+ configuration, one SVG file was used as input to produced a
+ translated instance of it which, in turn, was used to produce one
+ translated PNG image as output. The SVG translated instance was
+ created through SED replacement commands. The translated PNG image
+ was created from the SVG translated instance using Inkscape
+ command-line interface.
- The rendition script was redesigned to extend image
- production to other areas, not just slide images. In this
- configuration one translated SVG instance was created from the SVG
- file provided as input in order to produce one translated PNG
- image as output. The translation of SVG files was made through
- SED replacement commands and the rendition of PNG images was
- realized through Inkscape command line internface.
+ The rendition script was named
+ render.sh
.
- The rendition script was named render.sh.
- The directory structures were prepared to receive the rendition
- script so images could be produced inside them. Each directory
- structure had design templates (.svg), translation files (.sed),
- and translated images (.png).
+ The repository directory structure was prepared to receive
+ the rendition script using design templates and translation files
+ in the same location. There was one directory structure for each
+ artwork that needed to be produced. In this configuration, if you
+ would want to produce the same artwork with a different visual
+ style or structure, it was needed to create a new directory
+ structure for it because both the image structure and the image
+ visual style were together in the design template.
- The rendition script was unified in a common place and
- linked from different directory structures. There was no need to
- have the same code in different directory structures if it could
- be in just one place and then be linked from different
- locations.
+ The rendition script was moved to a common place and linked
+ from different directory structures. There was no need to have the
+ same code in different directory structures if it could be in just
+ one place and then be linked from different locations.
- Concepts about corporate identity began to be considered. As
- referece, it was used the book Corporate Identity
- by Wally Olins (1989) and Wikipedia.
+ The concepts about corporate identity began to be
+ considered. As referece, it was used the book Corporate
+ Identity
by Wally Olins (1989) and Wikipedia (). This way,
+ the rendition script main's goal becomes to: automate production
+ of a monolithic corporate visual identity structure, based on the
+ mission and the release schema of The CentOS Project.
- The rendition script main's goal becomes to: automate
- production of a monolithic corporate visual identity structure,
- based on The CentOS Mission and The CentOS Release Schema.
-
- The documentation of CentOS Artwork Repository started to
- take form in LaTeX format.
+ The directory structures started to be documented inside the
+ repository using text files without markup. Later, documentation
+ in flat text files was moved to LaTeX format and this way
+ The CentOS Artwork Repository Manual
started to
+ take form.