The rendition script was at a very rustic state where only slide images could be produced, so it was redesigned to extend the image production to other areas, not just slide images. In this configuration, one SVG file was used as input to produce a translated instance of it which, in turn, was used to produce one translated PNG image as output. The SVG translated instance was created through SED replacement commands. The translated PNG image was created from the SVG translated instance using Inkscape command-line interface. The rendition script was named render.sh. The repository directory structure was prepared to receive the rendition script using design templates and translation files in the same location. There was one directory structure for each artwork that needed to be produced. In this configuration, if you would want to produce the same artwork with a different visual style or structure, it was needed to create a new directory structure for it because both the image structure and the image visual style were together in the design template. The rendition script was moved to a common place and linked from different directory structures. There was no need to have the same code in different directory structures if it could be in just one place and then be linked from different locations. The concepts about corporate identity began to be considered. As referece, it was used the book Corporate Identity by Wally Olins (1989) and Wikipedia (). This way, the rendition script main's goal becomes to: automate production of a monolithic corporate visual identity structure, based on the mission and the release schema of The CentOS Project. The directory structures started to be documented inside the repository using text files without markup. Later, documentation in flat text files was moved to LaTeX format and this way The CentOS Artwork Repository Manual started to take form.