The CentOS Artwork Repository ============================= Alain Reguera Delgado v1.0, Nov 2013 == Overview Organizations have corporate identity, even when they don't take an intentional control over it. It is a choise from the corporation to define how much control to take over its identity. This kind of control is expensive and not all corporations are able to maintain it. However, it is necessary that, based on pragmatic facts, the corporation assume an acceptable degree of compromise with its identity in order to create a consistent idea of itself in a way that can be progresively improved through time. During the years (2003-2009), we've seen a growing interest inside The CentOS Community for helping on The CentOS Project development. Some people seem to be very clear about what the project needs are and how to maintain it being a very stable project, but others however don't to get what The CentOS Project is (even it is explained time after time) and sometimes decide to put their efforts in the wrong direction making everything to be a waste of time and source of distraction from what is really needed. The CentOS Artwork Repository phases the question ``What can I do for The CentOS Project?'' by identifying different work lines you can join in and providing automated production mechanisms that complement one another according to each work line needs so consistent results can be achieved inside a distributed environment under version control. For example, consider an environment where there are graphic designers to produce images, documentors to produce documentation manuals (whose can use images produced by graphic designers), programmers to produce automation scripts (needed to standardize production tasks) and translators to localize source files created by graphic designers, documetors and programmers. Once such environment has been implemented, it would be possible for packagers to take localized images and localized documentation from The CentOS Artwork Repository (through an automation script probably) to rebrand/update the content of those packages inside The CentOS Distribution that must include information specific to The CentOS Project itself (e.g., boot loader, distribution installer, release notes, display managers, release notes, web browsers default page, etc.). Most production tasks inside The CentOS Artwork Repository are focused on the files needed to implement The CentOS Project corporate visual identity.footnote:[Notice that, here, visual identity means everything perceived through the human's visual sences (i.e., the human eyes), but the corporate identity is a wider concept that extends to all human senses (i.e., visibilty (eyes), audition (ears), scent (nose), touch (fingers), and savour (tongue)), not just that one related to visual aspects. Nevertheless, we need to be consequent with the media where The CentOS Project manifests its existence on.] This includes everything from file edition (e.g., text width, text indentation, line numbering, text tabulation, etc.) up to how the web sites, distribution, and industrial stuff (e.g., pullovers, caps, installation media, etc.) look and feel. Notice that, more specific details like typography, window design, icons, menu items, etc., inside The CentOS Distribution are already covered by The CentOS Project upstream provider. In our effort to be 100% binary compatible with the upstream provider and also keeping maintainance low, we stand over those specific details as much as possible assuming them as default. However, if you feel brave enough (and prove your ability to keep yourself being that way) it would be possible to open a work line for you to maintain variants of such very specific details inside The CentOS Artwork Repository. In addition to visual manifestations, there are also emotional feelings and ethical behaviours that must be considered as part of The CentOS Project corporate identity. A pleasant experience in this area includes The CentOS Wiki, specifically the way it was conceived and administered. When the The CentOS Wiki was published, The CentOS Project published a list of needs with it so anyone could contribute based on them. Not much time after that, the list of tasks triggered some souls' motivations ruled by the good will of initiating the translation of that content published inside the wiki, redesigning its visual style, proposing the TreeFlower theme for The CentOS Distribution, and reducing to zero the contraditions of precoceived minds with respect, reason and passion. As result of this experience, we found that The CentOS Community posseses an incredible strong creative force, however, a long path must be traveled before it can be focalized into the right direction because: it isn't enough just telling what the right direction is, it is also necessary to provide the vehicles for The CentOS Community be able of moving through it. The CentOS Artwork Repository extends the feelings and ethicals behaviours from The CentOS Wiki to itself by identifying the visual manifestations The CentOS Project is made of (i.e., tracing a direction) and allowing people to develop them through standardized procedures inside a colaborative environment (i.e., providing the vehicles). Finally, if you find yourself needing to do something for The CentOS Project and The CentOS Artwork Repository isn't the place for it, be sure to define what that something exactly is and also make it a community effort so it can be validated as something useful to the community itself. Otherwise, the effort would loose its initial sense soon enough so as to be considered seriously. Notice that the way these needs are described may take different forms: they can be written and organized inside a book, an article, or even a well documented program ;-). [[corporate-mission]] == Repository Mission The CentOS Artwork Repository exists to produce The CentOS Project corporate visual identity. == Repository Infrastructure The CentOS Artwork Repository is made of one ``central repository'' and many ``working copies'' of that central repository. The working copies are independent one another, can be distributed all around the world and provide a local place for designers, documenters, translators and programmers to perform their work in a decentralized way. The central repository, on the other hand, provides a common place for all independent working copies to exchange data in the community. image:repository-infra.png[repository-infra.png] === Subversion The current infrastructure that holds The CentOS Artwork Repository on the Internet, is made of the following components: * http://subversion.tigris.org/[Subversion] -- Modern Version Control System designed to replace CVS. * http://trac.edgewall.org/[Trac] -- Enhanced wiki and issue tracking system. * Httpd+WebDav as data exchanging route between the workstations and the central repository, through the Internet. Httpd was configured to provide service through SSL, so all traffic between the workstations and the server be protected while it travels across the Internet. The access rights are controlled by using a combination of both Subversion's authorization files and Httpd's password files. These files can be managed consistently through Trac's WebAdmin plug-in. In this infrastructure, the first level of directories in the repository provides the Subversion's standard trunk-branches-tags layout. The second level of directories provides organization for different work lines, as described in <>. All other subsequent directory levels from second level on exist to organize specific concepts related to the work line they belong to. === Git In addition to current Subversion infrastructure, we are working on a Git infrastructure with the intention of migrating the current Subversion infrastructure up to it, progressively. The Git infrastructure we are working on is made of the following components: * Git -- Fast version control system. * Gitolite -- Highly flexible server for git directory version tracker. * Gitweb -- Simple web interface to git repositories. * MantisBT -- Web-based issue tracking system. * The data exchanging route between the working copies and the central repository takes place through SSH. The access rights are controlled by using a combination of SSH public keys and Gitolite's repository configuration file. In this infrastructure, the first level of directories in the repository provides organization for different work lines, as described in <>. All other subsequent directory levels from second level on exist to organize specific concepts related to the work line they belong to. [[repo-convs-worklines]] == Repository Work Lines The content production inside The CentOS Artwork Repository has been divided into individual work lines that relate one another based on the idea of doing one thing well. In this model, the content produced individually by each work line is combined one another later to achieve higher purposes (e.g., corporate identity for The CentOS Project). The repository work lines, as conceived here, provide a reliable environment for people to work synchronized and decentralized. The action of combining work lines inside The CentOS Artwork Repository is also known as the ``Production Cycle'' of CentOS corporate visual identity. The rest of this section describes the work lines available in the repository and how they integrate one another. [[repo-convs-worklines-artworks]] === Graphic Design Graphic Design is the first component The CentOS Artwork SIG works out in order to produce The CentOS Project corporate visual identity. Through this work line, graphic designers create ``design models'' and ``artistic motifs'' for all the visual manifestation The CentOS Project is made of. Once design models and artistic motifs are set in place, graphic designers use the *render* module of *centos-art.sh* script to combine them all into final images. The mission of Artworks work line is define all the visual manifestations the The CentOS Project is made of and provide design models and artistic motifs for them in order to produce the final image files required to transmit the visual style that identifies The CentOS Project as unique organization. The graphic design process takes place in the +Artworks/+ directory stored at the first level of the repository directory structure. This directory organizes themes (design models and artistic models), palettes, brushes, icons, brands and customizations for the web environment. To know more about The CentOS Project corporate visual identity, read the article named ``_link:../../../Corporate/Final/en_US/index.html[The CentOS Project Corporate Visual Identity]._'' [[repo-convs-worklines-l10n]] === Localization Localization is the second component that must be worked out in the production cycle of CentOS corporate visual identity. Through this work line translators localize source files (e.g., SVG, DocBook, Shell scripts) which are later used to produce localized images, localized documentation and localized automation scripts. To localize source files, translators use the *locale* module of *centos-art.sh* script which takes care of retrieving translatable strings from source files and provide a consistent localization interface based on GNU *gettext* multi-lingual message production tool set and *xml2po* command. The mission of Localization work line is extending the visual identity (produced in English language) to as many native languages as possible, in order for people which doesn't understand English language to feel more comfortable with The CentOS Project in their own native languages. The localization process takes place inside the +Locales/+ directory of each component that requires localization. This directory contains the component related PO files organized in language-specific directories. To know more about the specific localization process read the *locale* module documentation. [[repo-convs-worlines-manuals]] === Documentation Documentation is the third component that must be worked out in the production cycle of corporate visual identity. Through this work line documenters settle down the conceptual and practical uses around The CentOS Artwork Repository and all the content produced inside it. To write documentation, documenters use Asciidoc as source documentation format and the *render* module of *centos-art.sh* script to transform Asciidoc source documentation format into final output formats, including man pages and html. The mission of Documentation work line is describe the standard procedures The CentOS Artwork Repository relies on, as well as conceive a place to help you understand what The CentOS Artwork Repository is and what can you do with it. The Documentation work line takes place inside the +Documentation/+ directory inside major components stored in the first directory level of the repository (e.g., Artworks, Automation and Packages). [[repo-convs-worlines-packages]] === Packages The packages work line is the fourth component that must be worked out in the corporate identity production cycle. Through this work line packager gather final images, final translations and final documentation related to artworks and put them all together inside RPM packages. For this purpose, packagers use the *package* module of *centos-art.sh* script which provides a consistent interface for building packages inside the repository. The mission of Packages work line is package the information The CentOS Project requires to re-brand The CentOS Distribution according Red Hat redistribution guidelines. It is also the mission of this work line to make The CentOS Artwork Repository easy to install, configure and use by most graphic designers, documenters, programmers and translators. The packages work line takes place in the +Packages/+ directory stored at the first level of the repository directory structure. This directory organizes both SOURCES and SPECS files used to build RPMS and SRPMS files. In this directory, SOURCES and SPECS files are under version control but RPMS and SRPMS produced from them are not. [[repo-convs-worklines-scripts]] === Automation The automation work line is the fifth and last component that must be worked out in the corporate identity production cycle. This work line closes the production cycle and provides the production standards graphic designers, documenters, translators and packagers need to make their work consistent and reusable. For this purpose, programmers develop the *centos-art.sh* script. The mission of Automation work line is standardize the interaction of work lines in a reliable way. The Automation work line takes place in the +Automation/+ directory stored at the first level of the repository directory structure. Presently, most of the automation work is done in Bash. == Preparing Your Workstation Once your workstation has been installed, it is time for you to configure it. The configuration of your workstation consists on defining your workplace, download a working copy from The CentOS Artwork Repository and finally, run the *prepare* functionality of *centos-art.sh* script to install/update the software needed, render images, create links, and anything else needed. === Define Your Workplace Once you've installed the workstation and it is up and running, you need to register the user name you'll use for working. In this task you need to use the commands *useradd* and *passwd* to create the user name and set a password for it, respectively. These commands require administrative privileges to be executed, so you need to login as ``root'' superuser for doing so. [CAUTION] Do not use the ``root'' username for regular tasks inside your working copy of The CentOS Artwork Repository. This is dangerous and might provoke irreversible damages to your workstation. When you've registered your user name in the workstation, it provides an identifier for you to open a user's session in the workstation and a place to store the information you produce, as well. This place is known as your home directory and is unique for each user registered in the workstation. For example, if you register the user name john in your workstation, your home directory would be located at +/home/john/+. At this point it is important to define where to download the working copy of The CentOS Artwork Repository inside your home directory. This decision deserves special attention and should be implemented carefully in order to grant a standard environment that could be distributed. Let's see some alternatives. ==== Different absolute paths Consider that you store your working copy under +/home/john/Projects/artwork/+ and I store mine under +/home/al/Projects/artwork/+, we'll end up refering the same files inside our working copies through different absolute paths. This alternative generates a contradiction when files which hold path information inside are committed up to the central repository from different working copies. The contradiction comes from the question: which is the correct absolute path to use inside such files, yours or mine? (None of them is, of course.) ==== One unique absolute path Another case would be that where you and I ourselves use one unique home directory (e.g., +/home/centos/Projects/artwork/+) to store the working copy of The CentOS Artwork Repository in our own workstations, but configure the subversion client to use different user names to commit changes up from the working copy to the central repository. This alternative might be not so good in situations where you and I have to share the same workstation. In such cases, it would be required that we both share the password information of the same system user (the ``centos'' user in our example) which, in addition, gives access to that user's subversion client configuration and this way provokes the whole sense of using different subversion credentials for committing changes to be lost. ==== Different absolute paths, dynamic expansion, symbolic links, relative links, and environment variables With this solution it is possible to store working copies of The CentOS Artwork Repository on different locations inside the same workstation without lose relation between files. Here we use the TCAR_WORKDIR environment variable to set the location of the working copy inside the workstation. Later the centos-art.sh scripts uses this value as reference to determine where the working copy is. This value is also the one used for dynamic expansion inside design models and other similar files. In the case of web projects where different components are required to produce the final content, we create symbolic links between them and use relative paths so it is possible to reuse them and retain the relation between them in different contexts. For example, lets consider the organization of XHTML manuals rendered from DocBook source files. When you render a DocBook manual inside The CentOS Artwork Repository it creates XHTML files. This XHTML files use images and common style sheets for better presentation. Both of these images and styles components live outside the XHTML structure so, in order to make them available relatively to the XHTML structure, we created symbolic links from the XHTML structure to the outside location where they are in. The creation of symbolic links takes place automatically when each DockBook manual is rendered through *centos-art.sh*, which uses the value of TCAR_WORKDIR environment variable as reference to determine the absolute path of the working copy. Because absolute paths are no longer stored inside permanent files and *centos-art.sh* script uses the TCAR_WORKDIR environment variable to determine where the working copy is stored in the workstation, it should be safe to download working copies of The CentOS Artwork Repository anywhere in the workstation. One just have to be sure that the value of TCAR_WORKDIR environment variable does match the location of the working copy you are using. === Download Your Working Copy In order to use The CentOS Artwork Repository you need to download a working copy from the central repository into your workstation. To download such working copy use the following command: ---------------------------------------------------------------------- git clone gitolite@centos.org.cu/centos-artwork.git ---------------------------------------------------------------------- This command will create your working copy inside your home directory, specifically in a directory named artwork.git. Inside this directory you will find all the files you need to work with inside The CentOS Artwork Repository. If you want to have your working copy in a location different to that one shown above. The first time you download the working copy it contains no image files, nor documentation, or localized content inside it. This is because all the files provided in the working copy are source files (e.g., the files needed to produce other files) and it is up to you to render them in order to produce the final files (e.g., images and documentation) used to implement The CentOS Project corporate visual identity. === Configure Administrative Tasks Most of the administrative tasks you need to perform in your working copy of The CentOS Artwork Repository are standardized inside the *prepare* functionality of *centos-art.sh* script. Inside *centos-art.sh* script, all administrative task are invoked through the *sudo* command. Thus, in order for the *centos-art.sh* script to perform administrative tasks, you need to update the *sudo*'s configuration in a way that such administrative actions be allowed. At time of this writing the *centos-art.sh* script implements just one administrative task, that is package management. Nevertheless, in the future, other administrative tasks might be included as well (e.g., installing themes locally from the working copy for testing purposes.). To update the *sudo*'s configuration, execute the *visudo* command as ``root''. Later, uncoment the Cmnd_Alias related to ``SOFTWARE'' and add a line for your username allowing software commands. This configuration is illustrated in . [[repo-ws-config-sudoers-example]] .The /etc/sudoers configuration file ====================================================================== ---------------------------------------------------------------------- ## Installation and management of software Cmnd_Alias SOFTWARE = /bin/rpm, /usr/bin/up2date, /usr/bin/yum ## Next comes the main part: which users can run what software on ## which machines (the sudoers file can be shared between multiple ## systems). ## Syntax: ## ## user MACHINE=COMMANDS ## ## The COMMANDS section may have other options added to it. ## ## Allow root to run any commands anywhere root ALL=(ALL) ALL ## Allow the centos user to run installation and management of ## software anywhere. al ALL=(ALL) SOFTWARE ---------------------------------------------------------------------- ====================================================================== [[repo-ws-config-runout]] === Run Preparation Tool Once you've both downloaded a working copy from The CentOS Artwork Repository and configured the *sudo* configuration file successfully, run the *prepare* functionality of *centos-art.sh* script to complete the configuration process using the following command: ---------------------------------------------------------------------- ~/artwork/Scripts/Bash/centos-art.sh prepare ---------------------------------------------------------------------- [[repo-convs-filename-rfiles]] == Repository File Names Inside The CentOS Artwork Repository, file names are always written in lowercase. Digits (e.g., 0, 1, 2), hyphen (-), dot (.) and low line (_) characters are also accepted. In case you use hyphen and dot characters, don't use them as first character in the file name. === File Names Written Correctly The following file names are written correctly: * +01-welcome.png+ * +splash.png+ * +anaconda_header.png+ === File Names Written Incorrectly * +01-Welcome.png+ * +-welcome.png+ * +Splash.png+ * +AnacondaHeader.png+ == Repository Link Names Inside The CentOS Artwork Repository, links are always symbolic and follow the same name convention used by regular files, as described in <>. == Repository Directory Names Inside The CentOS Artwork Repository, directory names are all written capitalized and sometimes in cammel case. Digits (e.g., 0, 1, 2), hyphen (-), dot (.) and low line (_) characters are also accepted. In case you use hyphen and dot characters, don't use them as first character in the directory name. === Directory Names Written Correctly The following directory names are written correctly: * +Identity+ * +Themes+ * +Motifs+ * +TreeFlower+ * +0.0.1+ * +0.0.1-35+ === Directory Names Written Incorrectly The following directory names are written incorrectly: * +identity+ * +theMes+ * +MOTIFS+ * +treeFlower+ * +.0.1+ * +.0.1-35+ == Repository Directory Structure Occasionly, you may find that new components of The CentOS Project corporate visual identity need to be added to the repository in order to work them out. If that is the case, the first question we need to ask ourselves, before starting to create directories blindly all over, is: _What is the right place to store it?_ To create a directory structure inside the repository you need to define the concept behind it first. Later you need to create a new directory inside the repository, remembering that there are locations inside the repository that already define concepts you probably would prefer to reuse. For example, the +Artworks/Themes/Motifs+ directory stores artistic motifs of different themes, the +Artworks/Themes/Models+ directory stores design models for themes, the +Documentation+ directory stores documentation, +Locales+ stores translation messages, and the +Automation+ stores automation scripts. The best suggestion we can probably give you would be to send a mail with your questions to the mailto:centos-devel@centos.org[CentOS developers mailing list] (mailto:centos-devel@centos.org[centos-devel@centos.org]). This is the place where development of The CentOS Artwork Repository takes place and surely, in community, it will be possible to find a place for your new component inside the repository. The following sub-sections describe relevant directories of The CentOS Artwork Repository that you can use as reference to know where the files you are looking for are stored in and where you can store new files, as well. === The +Artworks/+ Directory This directory contains files affecting the visual style of The CentOS Project. This directory organizes Brushes, Gradients, Fonts, Palettes, Patterns Themes and the web environment customizable files. === The +Artworks/Brands/+ Directory This directory ... === The +Artworks/Brushes/+ Directory This directory contains GIMP brushes. Brushes stored in this directory will be available inside GIMP's brushes dialog. === The +Artworks/Documentation/+ Directory This directory ... === The +Artworks/Fonts/+ Directory This directory contains font files. Font files stored in this directory will be available to be used from applications like GIMP and Inkscape. === The +Artworks/Gradients/+ Directory This directory contains GIMP gradients. Gradients stored in this directory will be available inside GIMP's gradients dialog. This directory organizes gradient files inside === The +Artworks/Icons/+ Directory This directory ... === The +Artworks/Palettes/+ Directory This directory ... === The +Artworks/Patterns/+ Directory This directory contains GIMP patterns. Patterns stored in this directory will be available inside GIMP's patterns dialog. === The +Artworks/Themes/+ Directory This directory ... === The +Artworks/Webenv/+ Directory This directory ... === The +Automation/+ Directory This directory ... == Repository Authoring The content produced inside The CentOS Artwork Repository is copyright of The CentOS Project. This is something you, as author, should be aware of because you are contributing your creation's rights to someone else; The CentOS Project in this case. This way, your work is distributed using ``The CentOS Project'' as copyright holder, not your name (even you remain as natural author of the work). Because The CentOS Project is the copyright holder, is the license chosen by The CentOS Project the one applied to your work, so it is the one you need to agree with before making a creation inside The CentOS Artwork Repository. The CentOS Project is a community project controlled by its own community of users. Inside the community, The CentOS Administrators group is the higher authority and the only one able to set core decision like the kind of license used inside the project and subproject like The CentOS Artwork Repository. The redistribution conditions of The CentOS Artwork Repository are described in ... == Repository Publishing When you perform changes inside your working copy, those changes are local to your working copy only. In order for you to share your changes with others, you need to push them up to the central repository the working copy you are using was initially downloaded from. To push your changes up to the central repository see git-push(1) man page. Initially, you won't be able to publish your changes to The CentOS Artwork Repository immediately. It is necessary that you prove your interest in contributing first sending a mail to the http://lists.centos.org/mailman/listinfo/centos-devel[CentOS Developers mailing list] (mailto:centos-devel@centos.org[centos-devel@centos.org]), preferably in conjunction with a description of the changes you pretend to commit. This restriction is necessary in order to protect the source repository from spammers. Once you've received access to publish your changes, they will remain valid to you and there is no need for you to request permission to publish new changes as long as you behave as a good cooperating citizen. As a good cooperating citizen one understand of a person who respects the work already done by others and share ideas with authors before changing relevant parts of their work, specially in situations when the access required to realize the changes has been granted already. Of course, there is a time when conversation has taken place already, the paths has been traced and changing the work is so obvious that there is no need for you to talk about it; that's because you already did, you already built the trust to keep going. As complement, the mailing list mentioned above is available for sharing ideas in a way that good relationship between community citizens could be constantly balanced. The relationship between community citizens is monitored by repository administrators. Repository administrators are responsible of granting that everything goes the way it needs to go in order for The CentOS Artwork Repository to accomplish its mission (see <>). == Repository Copying Conditions The CentOS Project uses The CentOS Artwork Repository to produce The CentOS Project corporate visual identity. The The CentOS Artwork Repository is not in the public domain; it is copyrighted and there are restrictions on their distribution, but these restrictions are designed to permit everything that a good cooperating citizen would want to do. What is not allowed is to try to prevent others from further sharing any version of this work that they might get from you. Specifically, we want to make sure that you have the right to give away copies of The CentOS Artwork Repository, that you receive source code or else can get it if you want it, that you can change this work or use pieces of it in new free works, and that you know you can do these things. To make sure that everyone has such rights, we have to forbid you to deprive anyone else of these rights. For example, if you distribute copies of the The CentOS Artwork Repository, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must tell them their rights. Also, for our own protection, we must make certain that everyone finds out that there is no warranty for the The CentOS Artwork Repository. If this work is modified by someone else and passed on, we want their recipients to know that what they have is not what we distributed, so that any problems introduced by others will not reflect on our reputation. The The CentOS Artwork Repository is released as a GPL work. Individual packages used by The CentOS Artwork Repository include their own licenses and the The CentOS Artwork Repository license applies to all packages that it does not clash with. If there is a clash between the The CentOS Artwork Repository license and individual package licenses, the individual package license applies instead. The precise conditions of the license for the The CentOS Artwork Repository are found in (...). This manual specifically is covered by the conditions found in (...). [[repo-history]] == History === 2008 The CentOS Artwork Repository started at mailto:centos-devel@centos.org[The CentOS Developers Mailing List] around 2008, on a discussion about how to automate slide images used by Anaconda (The CentOS Distribution installer). In such discussion, http://wiki.centos.org/RalphAngenendt[Ralph Angenendt] rose up his hand to ask --Do you have something to show?. To answer the question, http://wiki.centos.org/AlainRegueraDelgado[Alain Reguera Delgado] suggested a bash script which combined SVG and SED files in order to produce PNG images in different languages --in conjunction with the proposition of creating a Subversion repository where translations and image production could be distributed inside The CentOS Community. http://wiki.centos.org/KaranbirSingh[Karanbir Singh] considered the idea intresting and provided the infrastructure necessary to support the effort. This way, https://projects.centos.org/trac/artwork[The CentOS Artwork SIG] and https://projects.centos.org/svn/artwork[The CentOS Artwork Repository] were officially created and made world wide available. In this configuration, users were able to register themselves and administrators were able to assign access rights to registered users inside The CentOS Artwork Repository, both using a Trac web interface. Once The CentOS Artwork Repository was available, Alain Reguera Delgado uploaded the bash script used to produce the Anaconda slides;footnote:[See https://projects.centos.org/trac/artwork/browser/Main/render.sh?rev=15] Ralph Angenendt documented it very well;footnote:[See https://projects.centos.org/trac/artwork/wiki/HowToTranslateSlides] and people started to download working copies of The CentOS Artwork Repository to produce slide images in their own languages.footnote:[See http://www.google.com/search?q=anaconda+slides+site%3Alists.centos.org] From this time on The CentOS Artwork Repository has been evolving into an automated production environment where The CentOS Community can conceive The CentOS Project corporate visual identity. The exact changes commited to The CentOS Artwork Repository through history can be found in the https://projects.centos.org/trac/artwork/timeline[repository logs] so you can know the real history about it. For those of you who just want to get a glance of changes committed, see <>. === 2009 Around 2009, the rendition script was at a very rustic state where only slide images could be produced, so it was redesigned to extend the image production to other areas, different from slide images. In this configuration, one SVG file was used as input to produce a translated instance of it which, in turn, was used to produce one translated PNG image as output. The SVG translated instance was created through SED replacement commands. The translated PNG image was created from the SVG translated instance using Inkscape command-line interface. The repository directory structure was prepared to receive the rendition script using design templates and translation files in the same location. There was one directory structure for each art work that needed to be produced. In this configuration, if you would want to produce the same art work with a different visual style or structure, it was needed to create a new directory structure for it because both the image structure and the image visual style were together in the design template. The rendition script was moved to a common place and linked from different directory structures. There was no need to have the same code in different directory structures if it could be in just one place and then be linked from different locations. Corporate identity concepts began to be considered. As referece, it was used the book "Corporate Identity" by Wally Olins (1989) and http://en.wikipedia.org/Corporate_identity[Wikipedia related links]. This way, the rendition script main's goal becomes to: _automate the production process of a monolithic corporate visual identity structure, based on the mission and the release schema of The CentOS Project_. The repository directory structures began to be documented by mean of flat text files. Later, documentation in flat text files was moved onto LaTeX format and this way The CentOS Artwork User Guide was initiated. === 2010 Around 2010, the rendition script changed its name from *render.sh* to *centos-art.sh* and became a collection of functionalities where rendition was just one among others (e.g., documentation and localization). The *centos-art.sh* was initially conceived to automate frequent tasks inside the repository based in the idea of Unix toolbox: to create small and specialized tools that do one thing well. This way, functionalities inside *centos-art.sh* began to be identified and separated one another. For example, when images were rendered, there was no need to load functionalities related to documentation manual. This layout moved us onto ``common functionalities'' and ``specific functionalities'' inside *centos-art.sh* script. Common functionalities are loaded when *centos-art.sh* script is initiated and are available to specific functionalities. Suddenly, no need was found to keep all the links spreaded around the repository in order to execute the *centos-art.sh* script from different locations. The *centos-art* command-line interface was used instead. The *centos-art* command-line interface is a symbolic link stored inside the +\~/bin+ directory pointing to *centos-art.sh* script. As default configuration, inside The CentOS Distribution, the path to +\~/bin+ is included in the search path for commands (see PATH environment variable). This way, using the *centos-art* command-line interface, it is possible to execute the *centos-art.sh* script from virtually anywhere inside the workstation, just as we frequently do with regular commands. Start using GNU getopt as default option parser inside the *centos-art.sh* script. The repository directory structure was updated to improve the implementation of corporate visual identity concepts. Specially in the area related to themes. Having both structure and style in the same file introduced content duplication when producing art works. Because of this reason, they were separated into two different directory structures: the design models and the artistic motifs directory structures. From this point on, the *centos-art.sh* was able to produce themes as result of arbitrary combinations between design models (structure) and artistic motifs (visual styles). In the documentation area, the documents in LaTeX format were migrated to Texinfo format. In this configuration, each directory structure in the repository has a documentation entry associated in a Texinfo structure which can be read, edited and administered (e.g., renamed, deleted and copied) interactively through *centos-art.sh* script. Additionally, the texi2html program was used to produced customized XHTML output in conjunction with CSS from The CentOS Web Environment. === 2011 Around 2011, the *centos-art.sh* script was redesigned to start translating XML-based files (e.g., SVG and Docbook files) through *xml2po* program and shell scripts (e.g., Bash scripts) through GNU gettext tools. This configuration provided a stronger localization interface for graphic designers, translators and programmers. The SED replacement files are no longer used to handle localization. The *render*, *help* and *locale* functionalities consolidated themselves as the most frequent tasks performed in The CentOS Artwork Repository working copy. Additionally, the *prepare* and *tuneup* functionalities were also maintained as useful tasks. In the documentation area, it was introduced the transformation of localized DocBook XML DTD instances through the *render* and *locale* functionalities. In this configuration, you use *locale* functionality to localize DocBook source files to your prefered language and later, using the *render* functionality, you can produce the localized XTHML and PDF output as specified in a XSLT layer. Unfortunly, the transformation DocBook XML -> FO -> PDF (through PassiveTex) seems to be buggy inside CentOS 5.5, so it was commented inside the *centos-art.sh* script. Most documentation is now organized in DocBook format, even Texinfo format remains as the only format with automated production tasks. In the automation area, the *centos-art.sh* script introduced the capability of reading configuration files. The main goal here was moving some command-line options from functionalities onto a more persistent medium. Most configuration files were set to define the position of brands inside images and documentation manual specific options. [[repo-history-2012]] === 2012 The CentOS Artwork Repository development was eventually stopped at November 2011 until July 2012 when we needed to make the *centos-art.sh* script a bit more customizable than it presently was. For example, it was considered as a need that functionalities inside the *centos-art.sh* script must be not just conceived independent one another but reusable in different contexts as well. [[repo-history-2012-1]] ==== Make Localization Of *centos-art.sh* Script Specific To Different Contexts The procedure used to locale messages inside the *centos-art.sh* script has to be re-designed in order to accept such pluggable behavior into the script. We couldn't publish unique +centos-art.sh.po+ and +centos-art.sh.mo+ files because they may contain different information in different contexts. For example, if you are using the *render* and *help* functionalities you only need translation messages for them and not those from other functionalities that may exist in the central repository but you didn't download nor use into your working copy. One solution for this could be to have independent PO files for each functionality of *centos-art.sh* script which are combined to create the final PO and MO files that *gettext* uses to retrive translated strings when *centos-art.sh* script is running. For this solution to be effective, you must be selective about the functionalities and locales directories you download into your working copy. For example, if you want to use the render functionality and its locale messages only, you must download the required directories and exclude others. [NOTE] ====================================================================== In case you don't want to be selective and download the whole repository, the creation of the +centos-art.sh.po+, +centos-art.sh.pot+ and +centos-art.sh.mo+ files will occur automatically the first time you run the *prepare* functionality (which require the *locale* functionality to be available), or later, by running the following command: ---------------------------------------------------------------------- centos-art locale Scripts/Bash --update ---------------------------------------------------------------------- For more information about the *prepare* and *locale* functionalities, see their respective manuals. ====================================================================== [[repo-history-2012-2]] .Directory structure of a rendering-only context ====================================================================== ---------------------------------------------------------------------- /home/centos/Projects/artwork/ |-- Locales/ | `-- Scripts/ | `-- Bash/ | `-- es_ES/ | |-- Functions/ | | |-- Commons/ | | | |-- messages.po | | | `-- messages.pot | | |-- Locales/ | | | |-- messages.po | | | `-- messages.pot | | `-- Render/ | | |-- messages.po | | `-- messages.pot | |-- LC_MESSAGES/ | | `-- centos-art.sh.mo | |-- centos-art.sh.po | `-- centos-art.sh.pot `-- Scripts/ `-- Bash/ |-- Functions/ | |-- Commons/ | |-- Locales/ | `-- Render/ `-- centos-art.sh ---------------------------------------------------------------------- ====================================================================== As shown in <>, both *Commons* and *Locales* functionalities will always be required directories. The +Commons+ directory contains the common functionalities and the *Locales* directory contains the standard procedures you need to run in order to build the final +centos-art.sh.mo+ file used by *gettext* to retrive translation strings when the *centos-art.sh* script is running. Remember that +centos-art.sh.pot+, +centos-art.sh.po+ files aren't under version control and they are built by combining each funtionality message.po file into a PO and later a MO file. A practical example of using the solution described above may be found when you are working on the corporate identity of The CentOS Project and then need to start a new corporate identity project for another organization. You want to keep the directory structure of The CentOS Artwork Repository and its automation tool, the *centos-art.sh* script. Your new project requires you to introduce new functionalities to *centos-art.sh* which don't fit the needs of The CentOS Project (e.g., you want to introduce a *report* functionality to mesure how much connect time do you consume through your PPP internface.) or you just want to keep the directory structure of your new project as simple as possible. To go through this it is possible to mix specific parts of different central repositories into one single working copy. This is the working copy you'll use to manage your new project. In <>, we see how the +Render+, +Locales+ and +Commons+ directories which come from the The CentOS Artwork Repository has been integrated into the working copy of your new project. ---------------------------------------------------------------------- /home/al/Projects/Myapp/ |-- Locales/ | `-- Scripts/ | `-- Bash/ | `-- es_ES/ | |-- Functions/ | | |-- Commons/ <--| from https://projects.centos.org/svn/artwork/ | | | |-- messages.po | | | `-- messages.pot | | |-- Locales/ <--| from https://projects.centos.org/svn/artwork/ | | | |-- messages.po | | | `-- messages.pot | | |-- Render/ <--| from https://projects.centos.org/svn/artwork/ | | | |-- messages.po | | | `-- messages.pot | | `-- Report/ | | |-- messages.po | | `-- messages.pot | |-- LC_MESSAGES/ | | `-- myapp.sh.mo | |-- myapp.sh.po | `-- myapp.sh.pot `-- Scripts/ `-- Bash/ |-- Functions/ | |-- Commons/ <--| from https://projects.centos.org/svn/artwork/ | |-- Locales/ <--| from https://projects.centos.org/svn/artwork/ | |-- Render/ <--| from https://projects.centos.org/svn/artwork/ | `-- Report/ `-- myapp.sh ---------------------------------------------------------------------- At this point, your working copy contains files from two different central repositories. One repository provides the files of your new organization project and the other one provides the files related to the *render* functionality from The CentOS Artwork Repository. In this environment, all updates commited to the +Render+, +Locales+ and +Commons+ directories at The CentOS Artwork Repository will be available to you too, the next time you update your working copy. Likewise, if you change something in any of these directories and commit your changes, your changes will be available to poeple working in The CentOS Artwork Repository the next time they update their working copies. Understanding the need of mixing different central repositories into a single working copy is an important step for reusing the functionalities that come with centos-art.sh script, but it is not enough if you want to customize the information produced by it. By default, the centos-art.sh script uses information related to The CentOS Project. You probably need to change this if you are producing images to a different organization than The CentOS Project. For example, some of the information you might need to change would be the copyright holder, brands, domain names, mailing lists, and so forth. To change this information you need to duplicate the file +centos-art.sh+ and rename it to something else. Later, you need to edit the renamed version and change variables inside according your needs. In <>, we used the name *myapp.sh* instead of *centos-art.sh* so the information we set inside it could reflect the specific needs that motivated the creation of a new project without affecting those from The CentOS Project. Most of the information you need to change in your duplicated version of +centos-art.sh+ file is controlled by a set of read-only variables. You modify these variables here and they will be available all along the script execution time. For example, you can change the value of CLI_WRKCOPY variable inside your duplicated version of +centos-art.sh+ to change the absolute path you use to store your working copy. ==== Enhance The CentOS Logo Construction The CentOS Logo is made of two different components known as The CentOS Symbol and The CentOS Type. Presently (at the end of September), to produce these components, we create one SVG image for each PNG image we want to produce, store it in +Identity/Models/Brands/Logos+ directory structure and run the command: ---------------------------------------------------------------------- centos-art render Identity/Images/Brands/Logos* ---------------------------------------------------------------------- This model works and scales well in situations when there isn't a need to reuse final images among themselves. However, when you need to reuse images among themselves, a better solution is required. The goal here would be: don't create SVG images for PNG images you can build based on other PNG images. This might be achieved through one of the following ways: - Create a new specific functionality to achieved the goal. Needed because the *render* specific functionality uses SVG files as reference to build images (i.e., one SVG image produces one PNG image). - Modify *render* functionality to work in different modes based on file type or file extension. The first mode would use SVG files as reference to build PNG images (just as it was doing so far). The second mode would use a configuration file named +render.conf+ as reference inside the design models directory you want to produce images for so as to build the related PNG images. In this second case, the configuration file specifies how final PNG images will be produced (e.g., by appending or overlapping them one another). For example, consider the following command-line: ---------------------------------------------------------------------- centos-art render Identity/Images/Brands/Logos ---------------------------------------------------------------------- This command should evaluate which type of rendition will be done, based on whether the source file is a scalable vector graphic (SVG) or a configuration file. To make this decision, the *centos-art.sh* script looks for SVG files first, and configuration files later. When SVG files are found, the *centos-art.sh* script uses a list of SVG files and process them one by one excluding any related configuration file that could exist. On the other hand, if no SVG file is found inside the related design model directory structure, the *centos-art.sh* script will use the configuration file with the name +render.conf+ to create images as specified inside it. When neither a SVG or a configuration file is found inside the design model directory structure, the *centos-art.sh* script finishes its execution without any error message. For example, if no SVG file is found inside +Identity/Models/Brands/Logos/+ directory and the +Identity/Models/Brands/Logos/images.conf+ configuration file exists therein with the following content: ---------------------------------------------------------------------- [centos.png] models = "Identity/Models/Brands/Symbols/centos-symbol-forlogos.svgz Identity/Models/Brands/Types/centos.svgz" formats = "xpm jpg" heights = "48 78" fgcolor = "000000 ffffff" bgcolor = "ffffff-0" command = "/usr/bin/convert +append" [centos-artwork.png] models = "Identity/Models/Brands/Symbols/centos-symbol-forlogos.svgz Identity/Models/Brands/Types/centos.svgz Identity/Models/Brands/Types/artwork.svgz" formats = "xpm jpg" heights = "48 78" fgcolor = "000000 ffffff" bgcolor = "ffffff-0" command = "/usr/bin/convert +append" ---------------------------------------------------------------------- The *centos-art.sh* script should produce the following image files: ---------------------------------------------------------------------- Identity/Images/Brands/Logos/000000/ffffff-0/48/centos.jpg Identity/Images/Brands/Logos/000000/ffffff-0/48/centos.png Identity/Images/Brands/Logos/000000/ffffff-0/48/centos.xpm Identity/Images/Brands/Logos/000000/ffffff-0/48/centos-artwork.png Identity/Images/Brands/Logos/000000/ffffff-0/48/centos-artwork.jpg Identity/Images/Brands/Logos/000000/ffffff-0/48/centos-artwork.xmp Identity/Images/Brands/Logos/000000/ffffff-0/78/centos.jpg Identity/Images/Brands/Logos/000000/ffffff-0/78/centos.png Identity/Images/Brands/Logos/000000/ffffff-0/78/centos.xpm Identity/Images/Brands/Logos/000000/ffffff-0/78/centos-artwork.png Identity/Images/Brands/Logos/000000/ffffff-0/78/centos-artwork.jpg Identity/Images/Brands/Logos/000000/ffffff-0/78/centos-artwork.xmp Identity/Images/Brands/Logos/ffffff/ffffff-0/48/centos.jpg Identity/Images/Brands/Logos/ffffff/ffffff-0/48/centos.png Identity/Images/Brands/Logos/ffffff/ffffff-0/48/centos.xpm Identity/Images/Brands/Logos/ffffff/ffffff-0/48/centos-artwork.png Identity/Images/Brands/Logos/ffffff/ffffff-0/48/centos-artwork.jpg Identity/Images/Brands/Logos/ffffff/ffffff-0/48/centos-artwork.xmp Identity/Images/Brands/Logos/ffffff/ffffff-0/78/centos.jpg Identity/Images/Brands/Logos/ffffff/ffffff-0/78/centos.png Identity/Images/Brands/Logos/ffffff/ffffff-0/78/centos.xpm Identity/Images/Brands/Logos/ffffff/ffffff-0/78/centos-artwork.png Identity/Images/Brands/Logos/ffffff/ffffff-0/78/centos-artwork.jpg Identity/Images/Brands/Logos/ffffff/ffffff-0/78/centos-artwork.xmp ---------------------------------------------------------------------- The final location for storing images output inside the repository is determined by using the design model directory provided as argument. Basically, the *centos-art.sh* script changes the path components from Models to Images and adds foreground color, background color, height value and image name to it to differentiate rendered images. In case you need to restrict the amount of files you want to produce including their formats, heights, colors and commands, you need to modify the content of the related +render.conf+ configuration file. There is not any command-line option available for such tasks. The most *render* command-line options can do for you is when there are more than one configuration file inside the same design model directory and you need to specify which one of them will be used as reference. In such case you can use the option. When images are produced through configuration files, the *centos-art.sh* script takes the order provided in the list of design models to build the list of images you will work with through the command specified. For example, the order in which images will be appended or overlapped. Localization of logo images will not be and must not be supported in any way. That would bring disastrous confusion in the area of visual recognition. === 2013 Development of CentOS Artwork Repository was eventually stopped at November, 2012, when I moved myself from Cienfuegos to Havana city for working. I returned on May 14th of 2013 and continued developing The CentOS Artwork Repository at home. Considered a Git+Gitolite+Gitweb+MantisBT infrastructure for CentOS Artwork Repository and started working on it in my workstation. This, in order to implement a distributed work flow for The CentOS Artwork Repository based on Git version control system. [[repository-history-2013-UpdateRepositoryLayout]] ==== Update Repository Directories Structure I face the following situation: I am working on a documentation project named ``solinfo-network''. While I was organizing it, I found that the directory structure of The CentOS Artwork Repository fits quite well the needs of ``solinfo-network'' documentation project. However, I don't want to duplicate automation scripts in two separate projects, but share them between themselves (i.e., changes committed to automation scripts are pushed to one single place, not two.). When we use Subversion repositories, it is possible to checkout specific parts of different repositories into a new repository. This is very useful if we need to create several projects that share the same component and we don't want to duplicate the common component in two or more different projects but ``share'' it between them. When we use Git repository, it is not possible to checkout specific parts of a repository but the complete tree. So, in order to share common components of a repository we need to create one repository for each common component we want to share and then use Git submodulessee progit-book, page 152. This requires that brand new repositories be created for each component we want to share. In both situations, including Git and Subversion repositories, it is necessary that we define very well the structure of each component we want to share, so it can be ``plugged'' nicely into other projects. Likewise, other projects must have the same directory structure the pluggable component was design to fit in. If these two conditions can be reached, it would be possible to reuse repositories components and concentrate efforts. The current directory structure The CentOS Artwork Repository is set in allows components inside Subversion repositories to be reused by related working copies. However, we cannot do the same if it is stored in a Git repository. In order for Git repositories to be able to share components with other Git repositories, The CentOS Artwork Repository directory structure needs to be reorganized to better delineate each component the repository is made of. // vim: set syntax=asciidoc: