From 67d70c5c4656f9f8f03ebbf20876b04132013eed Mon Sep 17 00:00:00 2001 From: Alain Reguera Delgado Date: Dec 02 2013 13:51:22 +0000 Subject: Update identity manual. - Previously, the book title was "The CentOS Artwork Repository User's Guide." This update changes the book title to "The CentOS Project Identity Manual." - Previously, there was not book preface. This update adds a book preface with an introduction to corporate identity. It also adds the copyright and feedback sections. - Previously, there was not licenses included in the book. This update adds both GFDL and GPL licenses at the end of the book, grouped in a part named Licenses. - The part of the book related to CentOS identity was revised and improved. - The repository mission was revised and improved. It reflects the fact that the CentOS artwork repository is a community effort focused on organizing and automating the production of CentOS identity. --- diff --git a/Documentation/identity.asciidoc b/Documentation/identity.asciidoc index 935f64f..d1644de 100644 --- a/Documentation/identity.asciidoc +++ b/Documentation/identity.asciidoc @@ -1,25 +1,19 @@ -The CentOS Project Corporate Visual Identity -============================================ - -The CentOS Project Corporate Identity is the ``persona'' of the -organization known as The CentOS Project. The CentOS Project -Corporate Identity plays a significant role in the way The CentOS -Project, as organization, presents itself to both internal and -external stakeholders. In general terms, The CentOS Project Corporate -Identity expresses the values and ambitions of The CentOS Project -organization, its business, and its characteristics. - -The CentOS Project Corporate Identity provides visibility, -recognizability, reputation, structure and identification to The -CentOS Project organization by means of Corporate Design, Corporate -Communication, and Corporate Behavior. - -[[corporate_identity]] -.The CentOS Project Corporate Identity -image::corporate.png[alt="The CentOS Project Corporate Identity"] - -Corporate Mission ------------------ +[[identity]] +The CentOS Project Identity +=========================== + +The CentOS Project identity is based on a monolithic visual structure. +In a monolithic visual structure, the organization has one unique name +(<>) and one unique visual style (<>) in +all its visual manifestations, internal and external stakeholders use +to feel a strong sensation of uniformity, orientation, and +identification with the organization. No matter if they are visiting +web sites, using the distribution, or acting on social events, the one +unique name and one unique visual style connects them all to say: Hey! +we are all part of The CentOS Project. + +The CentOS Mission +------------------ The CentOS Project exists to produce The CentOS Distribution, an Enterprise-class Linux Distribution derived from sources freely @@ -46,72 +40,154 @@ http://lists.centos.org/[Email Lists], http://www.centos.org/modules/newbb/[Forums], and a dynamic http://www.centos.org/modules/smartfaq/[FAQ]. -Corporate Graphic Design ------------------------- - -Corporate graphic design is focused on the presentation of corporate -messages with efficiency and efficacy. Corporate graphic design is a -cornerstone of corporate visual identity. When the organization -doesn't take control over the corporate messages it produces, the -organization is letting that area of its identity to the unknown and -the result might be good or not so good, it is hard to know. Even the -organization doesn't take control over its corporate messages they are -always talking about the organization. Taking control of corporate -messages presentation is a decision the organization needs to take by -itself, based on its need of better describe what it is. To work out -the corporate graphic design of an organization it is required to -identify which are the visual manifestations the organization reflects -its existence on. +[[centos-visual-manifestations]] +The CentOS Visual Manifestations +-------------------------------- The CentOS Artwork SIG has identified the following visual manifestations for The CentOS Project organization: -* GNU/Linux Distribution -- to control the operating system appearance. -* Web environment -- to control the web applications appearance. -* Promotion -- to control the industrial media appearance. +* The CentOS Distribution -- to control the operating system appearance. +* The CentOS Web environment -- to control the web applications appearance. +* The CentOS Showroom -- to control the appearance of goods produced + by industrial means. + +The CentOS Distribution +~~~~~~~~~~~~~~~~~~~~~~~ + +This visual manifestation communicates its existence through software +packages. There are packages that make a remarkable use of images, +packages that make a moderate use of images, and packages that don't +use images at all. This visual manifestation is focused on rebuilding +the packages that make use of images affecting the visual style of of +the final product. Special attention is dedicated to change packages +holding upstream branding information (e.g., _redhat-logos_ and +_redhat-artwork_). + +- The operating system itself (communicates the essence of The CentOS + Project existence.). + +- The release schema (lifetime) and all the stuff related (e.g., + release notes, documentation, erratas, etc.). + +The CentOS Web Environment +~~~~~~~~~~~~~~~~~~~~~~~~~~ + +This visual manifestation communicates its existence through web +applications. These web applications are free software and come from +different providers which distribute their work with predefined visual +styles. Frequently, these predefined visual styles have no visual +relation among themselves and introduce some visual contradictions +when they all are put together. Removing these visual contradictions +is object of work for this visual manifestation. + +- The CentOS Chat. +- The CentOS Mailing Lists. +- The CentOS Forums. +- The CentOS Wiki. +- Special Interest Groups (SIGs). +- Social Events, Interviews, Conferences, etc. +- The extensive network of mirrors available for downloading ISO files + as well as RPMs and SRPMs used to build them up in different + architectures. + +The CentOS Showroom +~~~~~~~~~~~~~~~~~~~ + +This visual manifestation communicates its existence through +production of industrial goods carrying The CentOS Brand. These +branded goods are directed to be distributed on social events and/or +shops. They provide a way of promotion and commercialization that may +help to reduce The CentOS Project expenses (e.g., electrical power, +hosting, servers, full-time-developers, etc.). Some of the goods +produced here include the following: + +- Advertisements (e.g., posters, flyers, stickers, paper bags, stands, + ...). +- Office Stuff (e.g., pens, folders, cups for coffee, ...) +- Clothes (e.g., shirts, pullovers, sweaters, caps, ...). +- Installation media (e.g., pen-drives, CDs and DVDs with labels and + sleeves included). [[centos-brand]] -Corporate Brand -~~~~~~~~~~~~~~~ +The CentOS Brand +---------------- -The corporate brand is the graphical identification of an -organization. The CentOS Artwork SIG uses The CentOS Brand to connect -all the visual manifestations The CentOS Project is made of (e.g., -GNU/Linux Distributions, Websites, Stationery, etc.) and, this way, it -provides visual recognition among similar projects available on the -Internet. +The CentOS Brand is the main graphical identification of The CentOS +Project. The CentOS Artwork SIG uses The CentOS Brand to connect all +the visual manifestations The CentOS Project is made of (see +<>) and, this way, it provides visual +recognition among similar projects available on the Internet. The CentOS Brand is composed of a graphical component known as The CentOS Symbol and a typographical component known as The CentOS Type. -When The CentOS Symbol and The CentOS Type are put together, they -create what we know as The CentOS Logo. All the components that make -The CentOS Brand can be used together or separately, considering that, -in hierarchy order, The CentOS Logo is rather preferred than The -CentOS Symbol, as well as The CentOS Symbol is rather preferred than -The CentOS Type alone. - -image:corporate-logo-howto.png[corporate-logo-howto.png] +When The CentOS Symbol and The CentOS Type are combined, they create +what we know as The CentOS Logo. All the components that make The +CentOS Brand can be used together or separately, considering that, in +hierarchy order, The CentOS Logo is rather preferred than The CentOS +Symbol, as well as The CentOS Symbol is rather preferred than The +CentOS Type alone. The CentOS Brand must be exactly the same every time it is printed -out, no matter what the medium is. A route to reproduce The CentOS -Brand this way must be used so as to avoid reproduction mistakes of -any kind when final images are branded with it. To prevent such -mistakes, The CentOS Artwork SIG uses configuration files and the -*render* module of *centos-art.sh* script to produce PNG brand images -of different sizes and colors that can be combined later with other -images instead of manipulating The CentOS Brand in SVG format inside -each different design model that requires it. This also grants a -single point of change for all brands already applied on final images. -In this environment, if you make a change to brands SVG files, they -will be propagated to all final images the next time you render them. - -The CentOS Symbol is the graphical part of The CentOS Logo. As The -CentOS Logo, The CentOS Symbol is used to ``brand'' images produced by -The CentOS Project and provide visual connection between images so -they can be monolithically recognized as part of The CentOS Project. -The CentOS Symbol must be exactly the same every time it is printed -out and a route to reproduce it in such a way must be available so as -to avoid reproduction mistakes when images are branded with it. +out, no matter what the impression medium is. A route to reproduce +The CentOS Brand this way must be used in order to avoid reproduction +mistakes of any kind when final images are branded with it. To prevent +such mistakes, The CentOS Artwork SIG creates SVGZ files only for The +CentOS Symbol and The CentOS Type components. Then, using automation +scripts, final images in different sizes, colors and formats are +produced for them. In this environment, if changes are introduced to +The CentOS Symbol and The CentOS Type, they will be propagated to all +images holding them, the next time they all are rendered. Since the +whole rendition process is fully automated, the fact of propagating +brand information through a variable number of images is fairly simple +and exact. + +The CentOS Symbol +~~~~~~~~~~~~~~~~~ + +The CentOS Symbol is the graphical part of The CentOS Logo. The CentOS +Artwork SIG uses The CentOS Symbol to ``brand'' images produced by The +CentOS Project and provide visual connection between them so they can +be monolithically recognized as part of The CentOS Project. The +CentOS Symbol must be exactly the same every time it is printed out. +To grant this uniqueness, The CentOS Artwork SIG designs The CentOS +Symbol in SVGZ format and uses automation scripts to produce final +images from on it. Final images produced from automation scripts vary +in format, color and size but The CentOS Symbol proportion is strictly +retained in all of them. + +Construction +^^^^^^^^^^^^ + +1. ... + +Usage Restrictions +^^^^^^^^^^^^^^^^^^ + +In order to apply The CentOS Symbol to other images correctly, the +following usage restrictions must be complied: + +1. ... + +Color Restrictions +^^^^^^^^^^^^^^^^^^ + +In order to apply The CentOS Symbol to other images correctly, the +following color restrictions must be complied: + +1. ... + +Acceptable Variations +^^^^^^^^^^^^^^^^^^^^^ + +Printing too many different colors on specific sorts of media may +result very expensive sometimes, so the following acceptable +variations for The CentOS Symbol are also available: + +1. ... + +The CentOS Type +~~~~~~~~~~~~~~~ The CentOS Type is the typographical part of The CentOS Logo. The CentOS Type is used to ``brand'' images produce by The CentOS Project @@ -120,20 +196,95 @@ monolithically recognized as part of The CentOS Project. The CentOS Type alone provides less recognition than The CentOS Logo and The CentOS Symbol. Frequently, The CentOS Type is used to advert the major release of CentOS Distribution on the first images shown as part of -Distribution installation process. The CentOS Symbol and any release +distribution installation process. The CentOS Symbol and any release information printed out with it must have exactly the same proportions -every time they are printed out. +every time they are printed out. To grant this uniqueness, The CentOS +Artwork SIG designs The CentOS Type in SVGZ format and uses automation +scripts to produce final images from on it. Final images produced from +automation scripts vary in format, color and size but The CentOS Type +proportion is strictly retained in all of them. + +image:corporate-fonts.png[corporate-fonts.png] + +Construction +^^^^^^^^^^^^ + +1. ... + +Usage Restrictions +^^^^^^^^^^^^^^^^^^ + +In order to apply The CentOS Type to other images correctly, the +following usage restrictions must be complied: + +1. ... + +Color Restrictions +^^^^^^^^^^^^^^^^^^ + +In order to apply The CentOS Symbol to other images correctly, the +following color restrictions must be complied: -Corporate Fonts +1. ... + +Acceptable Variations +^^^^^^^^^^^^^^^^^^^^^ + +Printing too many different colors on specific sorts of media may +result very expensive sometimes, so the following acceptable +variations for The CentOS Type are also available: + +1. ... + +The CentOS Logo ~~~~~~~~~~~~~~~ -The CentOS Artwork SIG uses the following font files in their -corporate graphic designs: +The CentOS Logo is the combination of The CentOS Symbol and The CentOS +Type. The CentOS Artwork SIG uses The CentOS Logo to ``brand'' images +produced by The CentOS Project and provide visual connection between +them so they can be monolithically recognized as part of The CentOS +Project. The CentOS Logo must be exactly the same every time it is +printed out. To grant this uniqueness, The CentOS Artwork SIG doesn't +create The CentOS Logo in SVGZ format, instead it combines final +images produced from The CentOS Symbol and The CentOS Type using +automation scripts. Because final images related to both The CentOS +Symbol and The CentOS Type do share common proportions, it is possible +for automation scripts to combine them in a great number of ways to +produce a great number of final images for The CentOS Logos and with +high levels of exactitude. + +Construction +^^^^^^^^^^^^ -image:corporate-fonts.png[corporate-fonts.png] +image:corporate-logo-howto.png[corporate-logo-howto.png] + +Usage Restrictions +^^^^^^^^^^^^^^^^^^ + +In order to apply The CentOS Logo to other images correctly, the +following usage restrictions must be complied: + +1. ... + +Color Restrictions +^^^^^^^^^^^^^^^^^^ + +In order to apply The CentOS Logo to other images correctly, the +following color restrictions must be complied: + +1. ... + +Acceptable Variations +^^^^^^^^^^^^^^^^^^^^^ + +Printing too many different colors on specific sorts of media may +result very expensive sometimes, so the following acceptable +variations for The CentOS Logo are also available: -Corporate Colors -~~~~~~~~~~~~~~~~ +1. ... + +The CentOS Palette +------------------ In addition to colors used in The CentOS Symbol (9ccd2aff, 932279ff, 262577ff, efa724ff) and The CentOS Default Background Color @@ -150,32 +301,20 @@ reduced number of colors, create palette of colors for them with the appropriate number of colors and let the *render* module of *centos-art.sh* script to do the rest. -[[centos-clothes]] -Corporate Clothes -~~~~~~~~~~~~~~~~~ - -The CentOS clothes identify the The CentOS Project representative -people at public presentations. - -image:../corporate-clothes-head.png[corporate-clothes-cap.png] - -image:../corporate-clothes-torso.png[corporate-clothes-shirt.png] - -[[corporate-themes]] -Corporate Themes -~~~~~~~~~~~~~~~~ +[[centos-themes]] +The CentOS Themes +----------------- The CentOS themes organize visual styles for all the visual manifestation The CentOS Project is made of. In order to automate the process of rendering images based on customizable patterns, themes -have been divided into ``design models'', ``localization files,'' and -``artistic motifs.'' +have been divided into ``design models'' and ``artistic motifs.'' -image:corporate-themes.png[corporate-themes.png] +image:identity-themes.png[identity-themes.png] -[[corporate-themes-models]] +[[centos-themes-models]] Design Models -^^^^^^^^^^^^^ +~~~~~~~~~~~~~ Design models are compressed SVG files created with Inkscape. They describe the image files used to implement the CentOS project visual @@ -187,179 +326,81 @@ are created once and rarely modified through time. They are only modified if the visual manifestation they refer to changes or needs to be tuned up. -[[corporate-themes-l10n]] -Localization Files -^^^^^^^^^^^^^^^^^^ - -Localization files provide localization for messages inside design -models. For example, if you decide to use slide images in CentOS -installer, you need to create one design model for each slide image -you want to produce in English language. Then, using *locale* module, -you create PO files for each design model you have. PO files are -created using the current language information of your terminal (e.g., -see value of +LANG+ variable). Then you use the *locale* module again -to edit the PO files and provide string translations from English to -your preferred language. Once translations are on the PO files, you -use the *render* module to produce images for your preferred language, -based on the artistic motif you initiate rendition for and the related -design models set in the rendition configuration file. - -[[corporate-themes-motifs]] +Localization of design models is also possible. It takes place in the +same directory of design models, through PO files which are +manipulated by automation scripts. The localization of design models +allows production of final images for different locales. For example, +if you decide to use slide images in CentOS installer, you need to +create one design model for each slide image you want to produce in +English language. Then, using *locale* module of *centos-art.sh* +script, you create PO files for each design model you have. PO files +are created using the current language information of your terminal +(e.g., see value of +LANG+ variable). Then, you use the *locale* +module again to edit the PO files and provide string translations from +English to your preferred language. Once translations are on the PO +files, you use the *render* module of *centos-art.sh* script to +produce final images for your locale, based on the artistic motif you +initiate rendition for and the related design models set in the +rendition configuration file. + +[[centos-themes-motifs]] Artistic Motifs -^^^^^^^^^^^^^^^ +~~~~~~~~~~~~~~~ -Artistic motifs are PNG images holding the look and feel of each -design model available. One important characteristic of artistic +Artistic motifs are PNG images holding the background information of +each design model available. One important characteristic of artistic motifs is preserving one unique visual style for all the PNG images they are made of. Artistic motifs aren't limited in number. It is possible to have several artistic motifs and produce final images for all of them using one single set of design models. Artistic motifs give plenty of room for graphic designers' creativeness. As convention, artistic motifs are conceived without any specific brand -information on them. The brand information is set using brand images -later, when final images are produced. - -[[corporate-communication]] -Corporate Communication ------------------------ - -The CentOS Project corporate communication is focused on the effective -propagation of corporate messages. Propagation of corporate messages -is closely related to the media the organization uses as vehicle to -distribute its corporate messages. - -The CentOS Project corporate communication takes place through the -following visual manifestations: +information on them. The brand information is set later using +automation scripts and final branding images, when final images are +produced. -The CentOS Distribution -~~~~~~~~~~~~~~~~~~~~~~~ - -This visual manifestation communicates its existence through software -packages. There are packages that make a remarkable use of images, -packages that make a moderate use of images, and packages that don't -use images at all. This visual manifestation is focused on providing -The CentOS Project images required by software packages that do use -images in a remarkable way, specially those holding the upstream brand -(e.g., _anaconda_, _grub_, _syslinux_, _gdm_, _kdebase_). - -- The Community Enterprise Operating System itself (communicates the - essence of The CentOS Project existence.). - -- Release Schema (Lifetime) and all the stuff related (e.g., Release - Notes, Documentation, Erratas, etc.). - -The CentOS Web -~~~~~~~~~~~~~~ - -This visual manifestation communicates its existence through web -applications. These web applications are free software and come from -different providers which distribute their work with predefined visual -styles. Frequently, these predefined visual styles have no visual -relation among themselves and introduce some visual contradictions -when they all are put together. Removing these visual contradictions -is object of work for this visual manifestation. - -- The CentOS Chat. -- The CentOS Mailing Lists. -- The CentOS Forums. -- The CentOS Wiki. -- Special Interest Groups (SIGs). -- Social Events, Interviews, Conferences, etc. -- The extensive network of mirrors available for downloading ISO files - as well as RPMs and SRPMs used to build them up in different - architectures. - -The CentOS Showroom -~~~~~~~~~~~~~~~~~~~ - -This visual manifestation communicates its existence through -production of industrial objects carrying The CentOS Brand. These -branded objects are directed to be distributed on social events and/or -shops. They provide a way of promotion and commercialization that may -help to reduce The CentOS Project expenses (e.g., electrical power, -hosting, servers, full-time-developers, etc.), in a similar way as -donations may do. +The CentOS Behavior +------------------- -- Stationery (e.g., Posters, Stickers, CD Lables and Sleeves). -- Clothes (e.g., Shirts, T-shirts, Pullovers, Caps). -- Installation media (e.g., CDs, DVD, Pen-drives). +The CentOS Behavior is focused on the effective social interaction of +each member involved in the organization (e.g., core developers, +community members, etc.). It is related to ethics and politics used +inside and outside the community. It is related to the sense of +direction chosen by the community and the way the community projects +itself to achieve it. -Corporate Behavior -------------------- +The CentOS Behavior is based on a meritocracy (the more you do the +more you are allowed to do). -The CentOS Project corporate behavior is focused on the effective -interaction of each member involved in the organization (e.g., core -developers, community members, etc.). It is related to ethics and -politics used to do the things inside the organization. It is related -to the sense of direction chosen by the organization and the way the -organization projects itself to achieve it. +The CentOS Visual Structure +--------------------------- -The CentOS Project corporate behavior is based on a meritocracy (the -more you do the more you are allowed to do). +The CentOS Project has a monolithic visual structure. In it, The +CentOS Project expresses its visual identity through one unique name +and one unique visual style through all the visual manifestations it +is made of. -Corporate Structure -------------------- -The CentOS Project corporate structure is based on a Monolithic -Corporate Visual Identity Structure. In this configuration, one unique -name and one unique visual style is used in all visual manifestation -The CentOS Project is made of. - -In a monolithic corporate visual identity structure, internal and -external stakeholders use to feel a strong sensation of uniformity, -orientation, and identification with the organization. No matter if -you are visiting web sites, using the distribution, or acting on -social events, the one unique name and one unique visual style -connects them all to say: Hey! we are all part of The CentOS Project. - -Other corporate structures for The CentOS Project have been considered -as well. Such is the case of producing one different visual style for -each major release of The CentOS Distribution. This structure isn't -inconvenient at all, but some visual contradictions could be -introduced if it isn't applied correctly and we need to be aware of -it. To apply it correctly, we need to know what The CentOS Project is -made of. - -The CentOS Project, as organization, is mainly made of (but not -limited to) three visual manifestations: The CentOS Distribution, The -CentOS Web and The CentOS Showroom. Inside The CentOS Distribution -visual manifestations, The CentOS Project maintains near to four -different major releases of The CentOS Distribution, in parallel. -However, inside The CentOS Web visual manifestations, the content is -produced for no specific release information (e.g., there is no a -complete web site for each major release of The CentOS Distribution -individually, but one web site to cover them all). Likewise, the -content produced in The CentOS Showroom is industrially created for no -specific release, but The CentOS Project in general. - -In order to produce the The CentOS Project Monolithic Corporate Visual -Identity Structure correctly, we need to consider all the visual +In order for The CentOS Project to express its identity according a +monolithic visual structure, it is required to consider all the visual manifestations The CentOS Project is made of, not just one of them. -If one different visual style is implemented for each major release of -The CentOS Distribution, which one of those different visual styles -would be used to cover the remaining visual manifestations The CentOS -Project is made of (e.g., The CentOS Web and The CentOS Showroom)? - -Probably you are thinking: yes, I see your point, but The CentOS Brand -connects them all already, why would we need to join them up into the -same visual style too, isn't it more work to do, and harder to -maintain? It is true that The CentOS Brand does connect all the -visual manifestations it is present on, but that connection is even -stronger if one unique visual style backups it. In fact, whatever -thing you do to strength the visual connection among The CentOS -Project visual manifestations would be very good in favor of The -CentOS Project recognition. - -Having just one visual style in all visual manifestations for eternity -would be a very boring thing and would give the idea of a visually -out-of-date project. So, there is no problem on creating new visual -styles for each new major release of The CentOS Distribution, in order -to refresh The CentOS Distribution visual style; the problem itself is -in not propagating the new visual style created for the new release of -The CentOS Distribution to all other visual manifestations The CentOS -Project is made of, in a way The CentOS Project could be recognized no -matter what visual manifestation be in front of us. Such lack of -uniformity is what introduces the visual contradiction The CentOS -Artwork SIG is precisely trying to solve by mean of automating the -production of corporate themes inside The CentOS Artwork Repository. +For example, if one different visual style is implemented for each +major release of The CentOS Distribution, which one of those different +visual styles would be used to cover the remaining visual +manifestations The CentOS Project is made of (e.g., The CentOS Web and +goods from The CentOS Showroom)? + +Having one unique visual style in all visual manifestations for +eternity would give the idea of a visually out-of-dated project. So, +there is no problem on creating new visual styles for one of the +visual manifestations from time to time, in order to refresh the way +it looks and feels; the problem itself is in not propagating the new +visual style created, onto all other visual manifestations The CentOS +Project is made of, in a way that The CentOS Project does be +recognized in the new look and feel, no matter what visual +manifestation be in front of us. Such lack of uniformity is what +introduces the visual contradiction The CentOS Artwork SIG is +precisely trying to solve by mean of identifying, organizing and +automating artwork production inside The CentOS Artwork Repository +(<>). // vim: set syntax=asciidoc: diff --git a/Documentation/licenses-gfdl.asciidoc b/Documentation/licenses-gfdl.asciidoc index 815a86c..77f4387 100644 --- a/Documentation/licenses-gfdl.asciidoc +++ b/Documentation/licenses-gfdl.asciidoc @@ -1,5 +1,6 @@ -= GNU Free Documentation License -Free Software Foundation +[[licenses-gfdl]] +== Appendix A. GNU Free Documentation License + Version 1.2, November 2002 Copyright (C) 2000, 2001, 2002 Free Software Foundation, Inc. 675 @@ -9,7 +10,7 @@ Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. [[licenses-gfdl-section-1]] -== Preamble +=== Preamble The purpose of this License is to make a manual, textbook, or other functional and useful document ``free'' in the sense of freedom: to @@ -35,7 +36,7 @@ reference. [[licenses-gfdl-section-2]] -== Applicability and definitions +=== Applicability and definitions This License applies to any manual or other work, in any medium, that contains a notice placed by the copyright holder saying it can be @@ -138,7 +139,7 @@ no effect on the meaning of this License. [[licenses-gfdl-section-3]] -== Verbatim copying +=== Verbatim copying You may copy and distribute the Document in any medium, either commercially or noncommercially, provided that this License, the @@ -156,7 +157,7 @@ you may publicly display copies. [[licenses-gfdl-section-4]] -== Copying in quantity +=== Copying in quantity If you publish printed copies (or copies in media that commonly have printed covers) of the Document, numbering more than 100, and the @@ -196,7 +197,7 @@ Document. [[licenses-gfdl-section-5]] -== Modifications +=== Modifications You may copy and distribute a <> of the Document under the conditions of sections <> and @@ -301,7 +302,7 @@ imply endorsement of any <>. [[licenses-gfdl-section-6]] -== Combining documents +=== Combining documents You may combine the Document with other documents released under this License, under the terms defined in section @@ -329,7 +330,7 @@ must delete all sections Entitled ``Endorsements''. [[licenses-gfdl-section-7]] -== Collection of documents +=== Collection of documents You may make a collection consisting of the Document and other documents released under this License, and replace the individual @@ -346,7 +347,7 @@ document. [[licenses-gfdl-section-8]] -== Aggregation with independent works +=== Aggregation with independent works A compilation of the Document or its derivatives with other separate and independent documents or works, in or on a volume of a storage or @@ -367,7 +368,7 @@ covers that bracket the whole aggregate. [[licenses-gfdl-section-9]] -== Translations +=== Translations Translation is considered a kind of modification, so you may distribute translations of the Document under the terms of section @@ -390,7 +391,7 @@ actual title. [[licenses-gfdl-section-10]] -== Termination +=== Termination You may not copy, modify, sublicense, or distribute the Document except as expressly provided for under this License. Any other @@ -402,7 +403,7 @@ parties remain in full compliance. [[licenses-gfdl-section-11]] -== Future Revisions of this License +=== Future Revisions of this License The Free Software Foundation may publish new, revised versions of the GNU Free Documentation License from time to time. Such new versions @@ -421,7 +422,7 @@ as a draft) by the Free Software Foundation. [[licenses-gfdl-section-12]] -== Appendix A. How to use this License for your documents +=== How to use this License for your documents To use this License in a document you have written, include a copy of the License in the document and put the following copyright and diff --git a/Documentation/licenses-gpl.asciidoc b/Documentation/licenses-gpl.asciidoc index 19bc03f..16aeec6 100644 --- a/Documentation/licenses-gpl.asciidoc +++ b/Documentation/licenses-gpl.asciidoc @@ -1,5 +1,6 @@ -= GNU General Public License -Free Software Foundation +[[licenses-gpl]] +== Appendix B. GNU General Public License + Version 2, June 1991 Copyright (C) 1989, 1991 Free Software Foundation, Inc. 675 Mass Ave, @@ -10,7 +11,7 @@ license document, but changing it is not allowed. [[licenses-gpl-0]] -== Preamble +=== Preamble The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License @@ -65,11 +66,11 @@ modification follow. [[licenses-gpl-1]] -== Terms and Conditions for Copying, Distribution and Modification +=== Terms and Conditions for Copying, Distribution and Modification [[licenses-gpl-1-0]] -=== Section 0 +==== Section 0 This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed @@ -91,7 +92,7 @@ Whether that is true depends on what the Program does. [[licenses-gpl-1-1]] -=== Section 1 +==== Section 1 You may copy and distribute verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously @@ -107,7 +108,7 @@ fee. [[licenses-gpl-1-2]] -=== Section 2 +==== Section 2 You may modify your copy or copies of the Program or any portion of it, thus forming a work based on the Program, and copy and distribute @@ -132,11 +133,11 @@ the user how to view a copy of this License. [NOTE] .Exception -====================================================================== +======================================================================= If the Program itself is interactive but does not normally print such an announcement, your work based on the Program is not required to print an announcement. -====================================================================== +======================================================================= These requirements apply to the modified work as a whole. If identifiable sections of that work are not derived from the Program, @@ -161,7 +162,7 @@ the scope of this License. [[licenses-gpl-1-3]] -=== Section 3 +==== Section 3 You may copy and distribute the Program (or a work based on it, under <>) in object code or executable form under the @@ -205,7 +206,7 @@ compelled to copy the source along with the object code. [[licenses-gpl-1-4]] -=== Section 4 +==== Section 4 You may not copy, modify, sublicense, or distribute the Program except as expressly provided under this License. Any attempt otherwise to @@ -217,7 +218,7 @@ parties remain in full compliance. [[licenses-gpl-1-5]] -=== Section 5 +==== Section 5 You are not required to accept this License, since you have not signed it. However, nothing else grants you permission to modify or @@ -230,7 +231,7 @@ the Program or works based on it. [[licenses-gpl-1-6]] -=== Section 6 +==== Section 6 Each time you redistribute the Program (or any work based on the Program), the recipient automatically receives a license from the @@ -242,7 +243,7 @@ this License. [[licenses-gpl-1-7]] -=== Section 7 +==== Section 7 If, as a consequence of a court judgment or allegation of patent infringement or for any other reason (not limited to patent issues), @@ -278,7 +279,7 @@ be a consequence of the rest of this License. [[licenses-gpl-1-8]] -=== Section 8 +==== Section 8 If the distribution and/or use of the Program is restricted in certain countries either by patents or by copyrighted interfaces, the original @@ -290,7 +291,7 @@ the limitation as if written in the body of this License. [[licenses-gpl-1-9]] -=== Section 9 +==== Section 9 The Free Software Foundation may publish revised and/or new versions of the General Public License from time to time. Such new versions @@ -307,7 +308,7 @@ published by the Free Software Foundation. [[licenses-gpl-1-10]] -=== Section 10 +==== Section 10 If you wish to incorporate parts of the Program into other free programs whose distribution conditions are different, write to the @@ -320,7 +321,7 @@ generally. [[licenses-gpl-1-11]] -=== NO WARRANTY +==== NO WARRANTY *Section 11* @@ -336,7 +337,7 @@ THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. [[licenses-gpl-1-12]] -=== Section 12 +==== Section 12 IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR @@ -352,7 +353,7 @@ _End of Terms and Conditions._ [[licenses-gpl-2]] -== Appendix A. How to Apply These Terms to Your New Programs +=== How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it diff --git a/Documentation/licenses.asciidoc b/Documentation/licenses.asciidoc new file mode 100644 index 0000000..ea1cb5f --- /dev/null +++ b/Documentation/licenses.asciidoc @@ -0,0 +1,7 @@ +[[licenses]] +Licenses +========= + +include::licenses-gfdl.asciidoc[] + +include::licenses-gpl.asciidoc[] diff --git a/Documentation/manual.asciidoc b/Documentation/manual.asciidoc new file mode 100644 index 0000000..ea16c68 --- /dev/null +++ b/Documentation/manual.asciidoc @@ -0,0 +1,14 @@ +The CentOS Project Identity Manual +================================== +CentOS Artwork SIG +v0.1, Nov 30 2013 + +include::preface.asciidoc[] + +include::identity.asciidoc[] + +include::repository.asciidoc[] + +include::licenses.asciidoc[] + +// vim: set syntax=asciidoc: diff --git a/Documentation/manual.conf b/Documentation/manual.conf new file mode 100644 index 0000000..cb20593 --- /dev/null +++ b/Documentation/manual.conf @@ -0,0 +1,143 @@ +[repository-infra.png] +render-type = "svg" +render-flow = "base" +render-from = "repository-infra.svgz" +export-id = "CENTOSARTWORK" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/repository-infra.svgz.po" +command = "/usr/bin/convert -colors 128" + +[repository-version-schema.png] +render-type = "svg" +render-flow = "base" +render-from = "repository-version-schema.svgz" +export-id = "CENTOSARTWORK" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/repository-version-schema.svgz.po" +command = "/usr/bin/convert -colors 128" + +[identity.png] +render-type = "svg" +render-flow = "base" +render-from = "identity.svgz" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity.svgz.po" +command = "/usr/bin/convert -colors 32" + +[identity-fonts.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-fonts.svgz" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-fonts.svgz.po" +command = "/usr/bin/convert -colors 128" + +[identity-logo-howto.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-logo-howto.svgz" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-logo-howto.svgz.po" +command = "/usr/bin/convert -colors 128" + +[identity-symbol-howto-1of4.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-symbol-howto-1of4.svgz" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-symbol-howto-1of4.svgz.po" +command = "/usr/bin/convert -colors 128" + +[identity-symbol-howto-2of4.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-symbol-howto-2of4.svgz" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-symbol-howto-2of4.svgz.po" +command = "/usr/bin/convert -colors 128" + +[identity-symbol-howto-3of4.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-symbol-howto-3of4.svgz" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-symbol-howto-3of4.svgz.po" +command = "/usr/bin/convert -colors 128" + +[identity-symbol-howto-4of4.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-symbol-howto-4of4.svgz" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-symbol-howto-4of4.svgz.po" +command = "/usr/bin/convert -colors 128" + +[identity-themes.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-themes.svgz" +export-id = "CENTOSARTWORK" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-themes.svgz.po" +command = "/usr/bin/convert -colors 128" + +[identity-clothes-head.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-clothes-head.svgz" +export-id = "CENTOSARTWORK" +command = "/usr/bin/convert" + +[identity-clothes-torso.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-clothes-torso.svgz" +export-id = "CENTOSARTWORK" +command = "/usr/bin/convert" + +[identity-colors.png] +render-type = "svg" +render-flow = "base" +render-from = "identity-colors.svgz" +export-id = "CENTOSARTWORK" +command = "/usr/bin/convert" + +[identity-symbol.png] +render-type = "svg" +render-flow = "extended" +render-from = "${TCAR_BASEDIR}/Artworks/Brands/Symbols/Webenv/centos.svgz" +export-id = "CENTOSARTWORK" +heights = "200" +fgcolors = "ad7fa8" +bgcolors = "ffffff-0" +formats = "png" + +[identity-type.png] +render-type = "svg" +render-flow = "base" +render-from = "${TCAR_BASEDIR}/Artworks/Brands/Types/Webenv/centos.svgz" +export-id = "CENTOSARTWORK" +heights = "200" +fgcolors = "ad7fa8" +bgcolors = "ffffff-0" +formats = "png" + +[identity-type-release.png] +render-type = "svg" +render-flow = "extended" +render-from = "${TCAR_BASEDIR}/Artworks/Brands/Types/{Webenv/centos.svgz,Numbers/6.svgz}" +export-id = "CENTOSARTWORK" +heights = "200" +fgcolors = "ad7fa8" +bgcolors = "ffffff-0" +formats = "png" + +[identity-logo.png] +render-type = "svg" +render-flow = "extended" +render-from = "${TCAR_BASEDIR}/Artworks/Brands/{Symbols/Webenv/centos.svgz,Types/Webenv/centos.svgz}" +export-id = "CENTOSARTWORK" +heights = "200" +fgcolors = "ad7fa8" +bgcolors = "ffffff-0" +formats = "png" + +[tcar-ug.html] +render-type = "asciidoc" +render-flow = "article" +render-from = "identity.asciidoc" +locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/tcar-ug.asciidoc.po" +images-from = "${TCAR_BASEDIR}/Artworks/Icons/Webenv/Final" +styles-from = "${TCAR_BASEDIR}/Artworks/Webenv/Docbook/1.69.1/Css" +formats = "xhtml" +render-page = "single chunks" diff --git a/Documentation/preface.asciidoc b/Documentation/preface.asciidoc new file mode 100644 index 0000000..a99f1dc --- /dev/null +++ b/Documentation/preface.asciidoc @@ -0,0 +1,96 @@ +Preface +------- + +Every single corporation, organization, society or community has its +own unique identity, even though their members don't take an +intentional control over it. Having an strong identity plays a +significant role in the way the organization presents itself to both +internal and external stakeholders. It expresses the values and +ambitions of the organization, its business, and its characteristics. +It provides visibility, recognizability, reputation, structure and +identification to the organization by means of graphic design, +communication, and behavior. This kind of control is expensive and +not all organizations are able to maintain it. Nevertheless, +organizations can assume an acceptable degree of compromise and, based +on pragmatic facts, work on a consistent idea that can be +progressively improved through time. + +To work on a consistent idea of identity, the organization defines its +mission and makes it public in a place everyone can read. Then, the +organization identifies each single manifestation where it shows its +existence on in order take control over their presentations. The +presentation of one organization is controlled by graphical components +like names, symbols, colors, logotypes and, social components like +rituals, behaviours and communication. All these components are +interrelated and affect the organization identity. + +To effectively and efficiently control each single manifestation the +organization is made of, the organization creates and publishes its +``Identity Manual.'' In such a manual, the organization clearly +identifies the visual manifestations it wants to take control of and +how exactly to do that. It is a tool. It is a reference manual that +describes the organization itself. + +Trough the years the CentOS community has shown a growing interest on +helping to develop The CentOS Project. Some people seem to be very +clear about what the project's needs are and how to maintain it being +a highly stable project, but others however don't get what The CentOS +Project is (even it is explained time after time) and sometimes decide +to put their efforts in the wrong direction making everything to be a +waste of time and source of distraction from what is really needed. In +order for the community to concentrate efforts in the right direction +effectively and efficiently, the community needs a visible reference +describing what these right directions are. + +_The CentOS Project Identity Manual_ identifies and describes the key +manifestations of The CentOS Project identity. This manual answers +the question ``What can I do for The CentOS Project?'' identifying +different work lines that relate one another and everyone can join in. +It describes a working environment where there are graphic designers +producing images, documenters producing documentation manuals (whose +use images produced by graphic designers), programmers producing +automation scripts (needed to standardize production tasks), +translators localizing source files created by graphic designers, +documenters and programmers and packagers collecting information from +all work lines for building RPM packages. + +_The CentOS Project Identity Manual_ organizes content in two main +parts. The first part of the book (<>) describes conceptual +ideas about The CentOS Project corporate identity (e.g., mission, +names, symbols, colors and visual structure). It sets the background +information you need in order to understand the second part of the +book (<>) which describes the implementation of The CentOS +Project corporate identity (e.g., how to produce images, translations, +documents and packages). + +Copyright +~~~~~~~~~ + +Copyright (C) 2009-2013 The CentOS Artwork SIG. + +Permission is granted to copy, distribute and/or modify this document +under the terms of the GNU Free Documentation License, Version 1.2 or +any later version published by the Free Software Foundation; with no +Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A +copy of the license is included in <>. + +Feedback +~~~~~~~~ + +_The CentOS Project Identity Manual_ is a community effort and it +needs of your collaboration in order to get improved. If you find +problems in this book, please send your corrections, comments and +suggestions to CentOS artwork mailing list +(mailto:centos-artwork@centos.org[centos-artwork@centos.org]). This is +the central vain of discussion about The CentOS Project identity +inside the CentOS community. + +When you send corrections to CentOS artwork mailing list, please be +sure to define what the problem exactly is, define where it is, and +the possible solution. This increases the chances that someone could +take it and implement it. Poorly described problems might be skipped +by people responsible of implementing the solutions. You might also +find useful to propose your initiatives as a community effort so they +can be validated and supported by the community itself. + +// vim: set syntax=asciidoc: diff --git a/Documentation/repository.asciidoc b/Documentation/repository.asciidoc index 20a3d95..7f3d2b8 100644 --- a/Documentation/repository.asciidoc +++ b/Documentation/repository.asciidoc @@ -1,107 +1,15 @@ +[[repository]] The CentOS Artwork Repository ============================= -Organizations have corporate identity, even when they don't take an -intentional control over it. It is a choise from the corporation to -define how much control to take over its identity. This kind of -control is expensive and not all corporations are able to maintain it. -However, it is necessary that, based on pragmatic facts, the -corporation assume an acceptable degree of compromise with its -identity in order to create a consistent idea of itself in a way that -can be progresively improved through time. - -During the years (2003-2009), we've seen a growing interest inside The -CentOS Community for helping on The CentOS Project development. Some -people seem to be very clear about what the project needs are and how -to maintain it being a very stable project, but others however don't -to get what The CentOS Project is (even it is explained time after -time) and sometimes decide to put their efforts in the wrong direction -making everything to be a waste of time and source of distraction from -what is really needed. - -The CentOS Artwork Repository phases the question ``What can I do -for The CentOS Project?'' by identifying different work lines -you can join in and providing automated production mechanisms that -complement one another according to each work line needs so consistent -results can be achieved inside a distributed environment under version -control. For example, consider an environment where there are graphic -designers to produce images, documentors to produce documentation -manuals (whose can use images produced by graphic designers), -programmers to produce automation scripts (needed to standardize -production tasks) and translators to localize source files created by -graphic designers, documetors and programmers. Once such environment -has been implemented, it would be possible for packagers to take -localized images and localized documentation from The CentOS Artwork -Repository (through an automation script probably) to rebrand/update -the content of those packages inside The CentOS Distribution that must -include information specific to The CentOS Project itself (e.g., boot -loader, distribution installer, release notes, display managers, -release notes, web browsers default page, etc.). - -Most production tasks inside The CentOS Artwork Repository are focused -on the files needed to implement The CentOS Project corporate visual -identity.footnote:[Notice that, here, visual identity means everything -perceived through the human's visual sences (i.e., the human eyes), -but the corporate identity is a wider concept that extends to all -human senses (i.e., visibilty (eyes), audition (ears), scent (nose), -touch (fingers), and savour (tongue)), not just that one related to -visual aspects. Nevertheless, we need to be consequent with the media -where The CentOS Project manifests its existence on.] This includes -everything from file edition (e.g., text width, text indentation, line -numbering, text tabulation, etc.) up to how the web sites, -distribution, and industrial stuff (e.g., pullovers, caps, -installation media, etc.) look and feel. Notice that, more specific -details like typography, window design, icons, menu items, etc., -inside The CentOS Distribution are already covered by The CentOS -Project upstream provider. In our effort to be 100% binary compatible -with the upstream provider and also keeping maintainance low, we stand -over those specific details as much as possible assuming them as -default. However, if you feel brave enough (and prove your ability to -keep yourself being that way) it would be possible to open a work line -for you to maintain variants of such very specific details inside The -CentOS Artwork Repository. - -In addition to visual manifestations, there are also emotional -feelings and ethical behaviours that must be considered as part of The -CentOS Project corporate identity. A pleasant experience in this area -includes The CentOS Wiki, specifically the way it was conceived and -administered. When the The CentOS Wiki was published, The CentOS -Project published a list of needs with it so anyone could contribute -based on them. Not much time after that, the list of tasks triggered -some souls' motivations ruled by the good will of initiating the -translation of that content published inside the wiki, redesigning its -visual style, proposing the TreeFlower theme for The CentOS -Distribution, and reducing to zero the contraditions of precoceived -minds with respect, reason and passion. As result of this experience, -we found that The CentOS Community posseses an incredible strong -creative force, however, a long path must be traveled before it can be -focalized into the right direction because: it isn't enough just -telling what the right direction is, it is also necessary to provide -the vehicles for The CentOS Community be able of moving through it. - -The CentOS Artwork Repository extends the feelings and ethicals -behaviours from The CentOS Wiki to itself by identifying the visual -manifestations The CentOS Project is made of (i.e., tracing a -direction) and allowing people to develop them through standardized -procedures inside a colaborative environment (i.e., providing the -vehicles). - -Finally, if you find yourself needing to do something for The CentOS -Project and The CentOS Artwork Repository isn't the place for it, be -sure to define what that something exactly is and also make it a -community effort so it can be validated as something useful to the -community itself. Otherwise, the effort would loose its initial sense -soon enough so as to be considered seriously. Notice that the way -these needs are described may take different forms: they can be -written and organized inside a book, an article, or even a well -documented program ;-). - -[[corporate-mission]] +[[repository-mission]] == Repository Mission -The CentOS Artwork Repository exists to produce The CentOS Project -corporate visual identity. +The CentOS Artwork Repository is a community effort to organize The +CentOS Project visual identity and automate its production, based on +the concepts described in <>. +[[repository-infrastructure]] == Repository Infrastructure The CentOS Artwork Repository is made of one ``central repository'' @@ -687,8 +595,8 @@ balanced. The relationship between community citizens is monitored by repository administrators. Repository administrators are responsible of granting -that everything goes the way it needs to go in order for The CentOS Artwork Repository to -accomplish its mission (see <>). +that everything goes the way it needs to go in order for The CentOS +Artwork Repository to accomplish its mission (see <>). == Repository Copying Conditions diff --git a/Documentation/tcar-ug.asciidoc b/Documentation/tcar-ug.asciidoc deleted file mode 100644 index fa16525..0000000 --- a/Documentation/tcar-ug.asciidoc +++ /dev/null @@ -1,7 +0,0 @@ -The CentOS Artwork Repository User's Guide -========================================== -CentOS Artwork SIG -v0.1, Nov 30 2013 - -include::identity.asciidoc[] -include::repository.asciidoc[] diff --git a/Documentation/tcar-ug.conf b/Documentation/tcar-ug.conf deleted file mode 100644 index cb20593..0000000 --- a/Documentation/tcar-ug.conf +++ /dev/null @@ -1,143 +0,0 @@ -[repository-infra.png] -render-type = "svg" -render-flow = "base" -render-from = "repository-infra.svgz" -export-id = "CENTOSARTWORK" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/repository-infra.svgz.po" -command = "/usr/bin/convert -colors 128" - -[repository-version-schema.png] -render-type = "svg" -render-flow = "base" -render-from = "repository-version-schema.svgz" -export-id = "CENTOSARTWORK" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/repository-version-schema.svgz.po" -command = "/usr/bin/convert -colors 128" - -[identity.png] -render-type = "svg" -render-flow = "base" -render-from = "identity.svgz" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity.svgz.po" -command = "/usr/bin/convert -colors 32" - -[identity-fonts.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-fonts.svgz" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-fonts.svgz.po" -command = "/usr/bin/convert -colors 128" - -[identity-logo-howto.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-logo-howto.svgz" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-logo-howto.svgz.po" -command = "/usr/bin/convert -colors 128" - -[identity-symbol-howto-1of4.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-symbol-howto-1of4.svgz" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-symbol-howto-1of4.svgz.po" -command = "/usr/bin/convert -colors 128" - -[identity-symbol-howto-2of4.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-symbol-howto-2of4.svgz" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-symbol-howto-2of4.svgz.po" -command = "/usr/bin/convert -colors 128" - -[identity-symbol-howto-3of4.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-symbol-howto-3of4.svgz" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-symbol-howto-3of4.svgz.po" -command = "/usr/bin/convert -colors 128" - -[identity-symbol-howto-4of4.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-symbol-howto-4of4.svgz" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-symbol-howto-4of4.svgz.po" -command = "/usr/bin/convert -colors 128" - -[identity-themes.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-themes.svgz" -export-id = "CENTOSARTWORK" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/identity-themes.svgz.po" -command = "/usr/bin/convert -colors 128" - -[identity-clothes-head.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-clothes-head.svgz" -export-id = "CENTOSARTWORK" -command = "/usr/bin/convert" - -[identity-clothes-torso.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-clothes-torso.svgz" -export-id = "CENTOSARTWORK" -command = "/usr/bin/convert" - -[identity-colors.png] -render-type = "svg" -render-flow = "base" -render-from = "identity-colors.svgz" -export-id = "CENTOSARTWORK" -command = "/usr/bin/convert" - -[identity-symbol.png] -render-type = "svg" -render-flow = "extended" -render-from = "${TCAR_BASEDIR}/Artworks/Brands/Symbols/Webenv/centos.svgz" -export-id = "CENTOSARTWORK" -heights = "200" -fgcolors = "ad7fa8" -bgcolors = "ffffff-0" -formats = "png" - -[identity-type.png] -render-type = "svg" -render-flow = "base" -render-from = "${TCAR_BASEDIR}/Artworks/Brands/Types/Webenv/centos.svgz" -export-id = "CENTOSARTWORK" -heights = "200" -fgcolors = "ad7fa8" -bgcolors = "ffffff-0" -formats = "png" - -[identity-type-release.png] -render-type = "svg" -render-flow = "extended" -render-from = "${TCAR_BASEDIR}/Artworks/Brands/Types/{Webenv/centos.svgz,Numbers/6.svgz}" -export-id = "CENTOSARTWORK" -heights = "200" -fgcolors = "ad7fa8" -bgcolors = "ffffff-0" -formats = "png" - -[identity-logo.png] -render-type = "svg" -render-flow = "extended" -render-from = "${TCAR_BASEDIR}/Artworks/Brands/{Symbols/Webenv/centos.svgz,Types/Webenv/centos.svgz}" -export-id = "CENTOSARTWORK" -heights = "200" -fgcolors = "ad7fa8" -bgcolors = "ffffff-0" -formats = "png" - -[tcar-ug.html] -render-type = "asciidoc" -render-flow = "article" -render-from = "identity.asciidoc" -locale-from = "Locales/${TCAR_SCRIPT_LANG_LC}/tcar-ug.asciidoc.po" -images-from = "${TCAR_BASEDIR}/Artworks/Icons/Webenv/Final" -styles-from = "${TCAR_BASEDIR}/Artworks/Webenv/Docbook/1.69.1/Css" -formats = "xhtml" -render-page = "single chunks"