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<chapter id="intro-history" xreflabel="History">
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<title>History</title>
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<para>
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The CentOS Artwork Repository started during a discussion
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about how to automate the slide images of Anaconda, at CentOS
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Developers mailing list (
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url="mailto:centos-devel@centos.org">centos-devel@centos.org</ulink>)
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around 2008. In such discussion, Ralph Angenendt rose up his
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hand to ask —Do you have something to show?—.
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</para>
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<para>
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To answer the question, Alain Reguera Delgado suggested a bash
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script which combined SVG and SED files in order to produce
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PNG images in different languages —in conjunction with
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the proposition of creating a Subversion repository where
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translations and image production could be distributed inside
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The CentOS Community—.
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</para>
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<para>
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Karanbirn Sighn considered the idea intresting and provided
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the infrastructure necessary to support the effort. This way
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the
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url="https://projects.centos.org/trac/artwork/">CentOS Artwork
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07a2e9 |
SIG</ulink> and the
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url="https://projects.centos.org/svn/artwork/">CentOS Artwork
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Repository</ulink> were officially created.
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</para>
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<para>
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Once the CentOS Artwork Repository was available, Alain
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Reguera Delgado uploaded the bash script for rendering
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Anaconda slides; Ralph Angenendt documented it very well; and
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07a2e9 |
people started to download working copies of CentOS Artwork
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Repository to produce slide images in their own languages.
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</para>
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<sect1>
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07a2e9 |
<title>2009's</title>
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07a2e9 |
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07a2e9 |
<para>
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
Around 2009, the rendition script was at a very rustic state
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07a2e9 |
where only slide images could be produced, so it was
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07a2e9 |
redesigned to extend the image production to other areas,
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different from slide images. In this configuration, one SVG
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07a2e9 |
file was used as input to produce a translated instance of it
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07a2e9 |
which, in turn, was used to produce one translated PNG image
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07a2e9 |
as output. The SVG translated instance was created through SED
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07a2e9 |
replacement commands. The translated PNG image was created
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07a2e9 |
from the SVG translated instance using Inkscape command-line
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interface.
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07a2e9 |
</para>
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07a2e9 |
<para>
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
The repository directory structure was prepared to receive the
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07a2e9 |
rendition script using design templates and translation files
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07a2e9 |
in the same location. There was one directory structure for
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07a2e9 |
each artwork that needed to be produced. In this
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07a2e9 |
configuration, if you would want to produce the same artwork
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07a2e9 |
with a different visual style or structure, it was needed to
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07a2e9 |
create a new directory structure for it because both the image
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07a2e9 |
structure and the image visual style were together in the
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design template.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
</para>
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07a2e9 |
<para>
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
The rendition script was moved to a common place and linked
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from different directory structures. There was no need to have
|
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07a2e9 |
the same code in different directory structures if it could be
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in just one place and then be linked from different locations.
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07a2e9 |
</para>
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
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07a2e9 |
<para>
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
Corporate identity concepts began to be considered. As
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07a2e9 |
referece, it was used the book "Corporate Identity" by Wally
|
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07a2e9 |
Olins (1989) and
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07a2e9 |
url="http://en.wikipedia.org/Corporate_identity">Wikipedia</ulink>
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
related links. This way, the rendition script main's goal
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
becomes into: <emphasis>automating production of a monolithic corporate
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
visual identity structure, based on the mission and the
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
release schema of The CentOS Project</emphasis>.
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
</para>
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
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<para>
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The repository directory structures began to be documented by
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mean of flat text files. Later, documentation in flat text
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files was moved onto LaTeX format and this way the "The CentOS
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Artwork Repository" documentation manual is initiated.
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</para>
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</sect1>
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<sect1>
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<title>2010's</title>
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<para>
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Around 2010, the rendition script changed its name from
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<command>render.sh</command> to
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<command>centos-art.sh</command> and became a collection of
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functionalities where rendition was just one among others
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(e.g., documentation and localization).
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</para>
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<para>
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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The <command>centos-art.sh</command> was initially conceived
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to automate frequent tasks inside the repository based in the
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idea of Unix toolbox: to create small and specialized tools
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that do one thing well. This way, functionalities inside
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<command>centos-art.sh</command> began to be identified and
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separated one another. For example, when images were rendered,
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there was no need to load functionalities related to
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documentation manual. This layout moved us onto <quote>common
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functionalities</quote> and <quote>specific
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functionalities</quote> inside
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<command>centos-art.sh</command> script. Common
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functionalities are loaded when
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<command>centos-art.sh</command> script is initiated and are
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available to specific functionalities.
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</para>
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<para>
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Suddenly, no need was found to keep all the links spreaded
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07a2e9 |
around the repository in order to execute the
|
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07a2e9 |
<command>centos-art.sh</command> script from different
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
locations. The centos-art command-line interface was used
|
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instead. The centos-art command-line interface is a symbolic
|
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link stored inside the
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class="directory">~/bin</filename> directory that point to
|
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<command>centos-art.sh</command> script. As default
|
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configuration, inside The CentOS Distribution, the path to
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07a2e9 |
<filename class="directory">~/bin</filename> is included in
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the search path for commands (see PATH environment variable).
|
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This way, using the centos-art command-line interface, it is
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possible for us to execute the
|
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07a2e9 |
<command>centos-art.sh</command> script from virtually
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
anywhere inside the workstation, just as we frequently do with
|
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regular commands.
|
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</para>
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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07a2e9 |
<para>
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Start using GNU getopt as default option parser inside the
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
<command>centos-art.sh</command> script.
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
</para>
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
<para>
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
The repository directory structure was updated to improve the
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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implementation of corporate visual identity concepts.
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Specially in the area related to themes. Having both structure
|
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07a2e9 |
and style in the same file introduced content duplication when
|
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producing art works. Because of this reason, they were
|
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divided out to separate directory structures: the design
|
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models and artistic motifs directory structures. From this
|
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07a2e9 |
point on, the <command>centos-art.sh</command> is able to
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
produce themes as result of arbitrary combinations between
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
design models (structures) and artistic motifs (visual
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
styles).
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
</para>
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
<para>
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
In the documentation area, the documents in LaTeX format were
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
migrated to Texinfo format. In this configuration, each
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
directory structure in the repository has a documentation
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
entry associated in a Texinfo structure which can be read,
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
edited and administered (e.g., renamed, deleted and copied)
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
interactively through <command>centos-art.sh</command> script.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
Additionally, the texi2html program was used to produced
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
customized XHTML output in conjunction with CSS from The
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
CentOS Webenv.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
07a2e9 |
</para>
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</sect1>
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<sect1>
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<title>2011's</title>
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<para>
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Around 2011, the <command>centos-art.sh</command> script was
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redesigned to start translating XML-based files (e.g., SVG and
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Docbook files) through <command>xml2po</command> program and
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shell scripts (e.g., Bash scripts) through GNU gettext tools.
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This configuration provided a stronger localization interface
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for graphic designers, translators and programmers. The SED
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replacement files are no longer used to handle localization.
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</para>
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<para>
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The render , help and
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locale functionalities were consolidated as the
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most frequent tasks performed inside the repository.
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Additionally, the prepare and tuneup functionalities are also
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maintained as useful tasks.
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</para>
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<para>
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In the documentation area, support for producing localized
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transformations of DocBook XML DTD instances was added through
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the render and locale functionalities. The
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render functionality uses the xsltproc
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command-line XSLT parser in conjunction
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with the styles provided by the
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<package>docbook-style-xsl</package> package, both of them
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included inside The CentOS Distribution. The locale
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functionality creates the localized portable object
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(PO) the render functionality
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needs to produce localized transformations of DocBook XML DTD
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instances.
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</para>
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<para>
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To build DocBook documentation, it was considered the idea of
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using concepts behind repository directory structure as base,
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not the opposite (as I've been doing with Texinfo backend, so
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far).
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</para>
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<para>
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Producing documentation through DocBook XML as default
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documentation backend consolidates render and
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locale even more. In this configuration, once
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the DocBook files are written, we use locale
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functionality to localize the DocBook files in your prefered
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language and later, using render functionality,
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we produce the XTHML and PDF outputs as specified in the XSLT
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customization driver we can define.
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</para>
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</sect1>
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9b9860 |
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543699 |
</chapter>
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