Blame Manuals/TCAR-UG/Texinfo/en_US/Introduction/history.texinfo

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The CentOS Artwork Repository started during a discussion about how to
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automate the slide images of Anaconda, at CentOS Developers mailing
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list (@email{centos-devel@@centos.org}) around 2008. In such
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discussion, Ralph Angenendt rose up his hand to ask ---Do you have
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something to show?---.
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To answer the question, Alain Reguera Delgado suggested a bash script
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which combined SVG and SED files in order to produce PNG images in
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different languages ---in conjunction with the proposition of creating
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a Subversion repository where translations and image production could
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be distributed inside The CentOS Community---.
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Karanbirn Sighn considered the idea intresting and provided the
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infrastructure necessary to support the effort. This way the CentOS
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Artwork SIG (@url{https://projects.centos.org/trac/artwork/}) and the
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CentOS Artwork Repository
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(@url{https://projects.centos.org/svn/artwork/}) were officially
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created.
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Once the CentOS Artwork Repository was available, Alain Reguera
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Delgado uploaded the bash script for rendering Anaconda slides; Ralph
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Angenendt documented it very well; and people started to download
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working copies of CentOS Artwork Repository to produce slide images in
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their own languages.
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@subheading 2009
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Around 2009, the rendition script was at a very rustic state where
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only slide images could be produced, so it was redesigned to extend
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the image production to other areas, different from slide images. In
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this configuration, one SVG file was used as input to produce a
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translated instance of it which, in turn, was used to produce one
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translated PNG image as output. The SVG translated instance was
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created through SED replacement commands. The translated PNG image was
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created from the SVG translated instance using Inkscape command-line
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interface.
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The repository directory structure was prepared to receive the
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rendition script using design templates and translation files in the
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same location. There was one directory structure for each artwork that
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needed to be produced. In this configuration, if you would want to
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produce the same artwork with a different visual style or structure,
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it was needed to create a new directory structure for it because both
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the image structure and the image visual style were together in the
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design template.
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The rendition script was moved to a common place and linked from
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different directory structures. There was no need to have the same
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code in different directory structures if it could be in just one
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place and then be linked from different locations.
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Corporate identity concepts began to be considered. As referece, it
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was used the book ``Corporate Identity'' by Wally Olins (1989) and
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Wikipedia related links (e.g.,
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@url{http://en.wikipedia.org/Corporate_identity}). This way, the
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rendition script main's goal becomes into: automate production of a
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monolithic corporate visual identity structure, based on the mission
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and the release schema of The CentOS Project.
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The repository directory structures began to be documented by mean of
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flat text files. Later, documentation in flat text files was moved
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onto LaTeX format and this way the ``The CentOS Artwork Repository''
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documentation manual is initiated.
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@subheading 2010
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Around 2010, the rendition script changed its name from
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@command{render.sh} to @command{centos-art.sh} and became a collection
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of functionalities where rendition was just one among others (e.g.,
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documenting and localizing).
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The @command{centos-art.sh} was initially conceived to automate
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frequent tasks inside the repository based in the idea of Unix
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toolbox: @emph{to create small and specialized tools that do one thing
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well}. This way, functionalities inside @command{centos-art.sh} began
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to be identified and separated one another. For example, when images
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were rendered, there was no need to load functionalities related to
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documentation manual. This layout moved us onto ``common
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functionalities'' and ``specific functionalities'' inside
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@command{centos-art.sh} script. Common functionalities are loaded when
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@command{centos-art.sh} script is initiated and are available to
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specific functionalities.
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Suddenly, no need was found to keep all the links spreaded around the
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repository in order to execute the @command{centos-art.sh} script from
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different locations.  The @command{centos-art} command-line interface
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was used instead. The @command{centos-art} command-line interface is a
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symbolic link stored inside the @file{~/bin} directory that point to
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@command{centos-art.sh} script. As default configuration, inside The
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CentOS Distribution, the path to @file{~/bin} is included in the
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search path for commands (see @env{PATH} environment variable).  This
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way, using the @command{centos-art} command-line interface, it is
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possible for us to execute the @command{centos-art.sh} script from
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virtually anywhere inside the workstation, just as we frequently do
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with regular commands.
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Start using GNU @command{getopt} as default option parser inside the
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@command{centos-art.sh} script.
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The repository directory structure was updated to improve the
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implementation of corporate visual identity concepts.  Specially in
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the area related to themes. Having both structure and style in the
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same file introduced content duplication when producing art works.
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Because of this reason, they were divided out to separate directory
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structures: the design models and artistic motifs directory
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structures.  From this point on, the @command{centos-art.sh} is able
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to produce themes as result of arbitrary combinations between design
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models (structures) and artistic motifs (visual styles).
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In the documentation area, the documents in LaTeX format were migrated
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to Texinfo format. In this configuration, each directory structure in
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the repository has a documentation entry associated in a Texinfo
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structure which can be read, edited and administered (e.g., renamed,
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deleted and copied) interactively through @command{centos-art.sh}
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script.  Additionally, the @command{texi2html} program was used to
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produced customized XHTML output in conjunction with CSS from The
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CentOS Webenv.
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@subheading 2011
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Around 2011, the @command{centos-art.sh} script was redesigned to
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start translating XML-based files (e.g., SVG and Docbook files)
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through @command{xml2po} program and shell scripts (e.g., Bash
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scripts) through GNU @command{gettext} tools. This configuration
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provided a stronger localization interface for graphic designers,
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translators and programmers. The SED replacement files are no longer
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used to handle localization.
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The @code{render}, @code{help} and @code{locale} functionalities were
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consolidated as the most frequent tasks performed inside the
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repository. Additionally, the @code{prepare} and @code{tuneup}
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functionalities are also maintained as useful tasks.
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In the documentation area, support for producing localized
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transformations of DocBook XML DTD instances was added through the
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@code{render} and @code{locale} functionalities. The @code{render}
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functionality uses the @command{xsltproc} command-line XSLT parser in
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conjunction with the styles provided by the @file{docbook-style-xsl}
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package, both of them included inside The CentOS Distribution. The
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@code{locale} functionality creates the localized @acronym{PO,Portable
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Objects} the @code{render} functionality needs to produce localized
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transformations of DocBook XML DTD instances.