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<sect1 id="intro-history" xreflabel="History">
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<title>History</title>
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<para>The CentOS Artwork Repository started around 2008, at CentOS
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Developers mailing list (centos-devel@centos.org) during a
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discussion about how to automate the slide images of Anaconda. In
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such discussion, Ralph Angenendt rose up his hand to ask: Do you
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have something to show?</para>
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<para>To answer the question, I suggested a bash script which
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combined SVG and SED files in order to produce PNG images in
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different languages —together with the proposition of
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creating a Subversion repository where translations and image
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production could be distributed inside The CentOS
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Community—.</para>
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<para>Karanbirn Sighn considered the idea intresting and provided
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the infrastructure necessary to support the effort. This way the
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CentOS Artwork SIG (https://projects.centos.org/trac/artwork/) and
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the CentOS Artwork Repository
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(https://projects.centos.org/svn/artwork/) were officially
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created.</para>
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<para>Once the CentOS Artwork Repository was available, I uploaded
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the bash script for rendering Anaconda slides; Ralph Angenendt
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documented it very well; and people started to download working
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copies of CentOS Artwork Repository to produce slide images in
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their own languages.</para>
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<para>Around 2009, the rendition script was at a very rustic state
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where only slide images could be produced, so it was redesigned to
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extend the image production to other areas, different from slide
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images. In this configuration, one SVG file was used as input to
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produce a translated instance of it which, in turn, was used to
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produce one translated PNG image as output. The SVG translated
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instance was created through SED replacement commands. The
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translated PNG image was created from the SVG translated instance
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using Inkscape command-line interface.</para>
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<para>The repository directory structure was prepared to receive
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the rendition script using design templates and translation files
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in the same location. There was one directory structure for each
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artwork that needed to be produced. In this configuration, if you
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would want to produce the same artwork with a different visual
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style or structure, it was needed to create a new directory
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structure for it because both the image structure and the image
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visual style were together in the design template.</para>
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<para>The rendition script was moved to a common place and linked
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from different directory structures. There was no need to have the
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same code in different directory structures if it could be in just
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one place and then be linked from different locations.</para>
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<para>The concepts about corporate identity began to be
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considered. As referece, it was used the book <quote>Corporate
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Identity</quote> by Wally Olins (1989) and Wikipedia related links
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(e.g.,
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/>). This way, the rendition script main's goal becomes to:
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automate production of a monolithic corporate visual identity
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structure, based on the mission and the release schema of The
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CentOS Project.</para>
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<para>The directory structures started to be documented inside the
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repository using text files without markup. Later, documentation
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in flat text files was moved to LaTeX format and this way
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<quote>The CentOS Artwork Repository Manual</quote> started to
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take form.</para>
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<para>Around 2010, the rendition script changed its name from
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<command>render.sh</command> to <command>centos-art.sh</command>
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and became a collection of functionalities where rendition was
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just one among others (e.g., documenting and localizing).</para>
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<para>The <command>centos-art.sh</command> was created to organize
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automation of most frequent tasks inside the repository. There
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was no need to have links all around the repository if a
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command-line interface could be created (through symbolic links,
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in the <filename class="directory">~/bin</filename> directory) and
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be called anywhere inside the repository as it would be a regular
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command.</para>
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<para>Inside <command>centos-art.sh</command>, functionalities
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started to get identified and separated one another. For example,
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when images were rendered, there was no need to load
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functionalities related to documentation manual. This layout moved
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us onto common functionalities and specific functionalities inside
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<command>centos-art.sh</command> script. Common functionalities
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are loaded when <command>centos-art.sh</command> script is
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initiated and are available to specific functionalities.</para>
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<para>The <command>centos-art.sh</command> script was redesigned
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to handle command-line options trough <command>getopt</command>
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option parser.</para>
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<para>The repository directory structure was updated to improve
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the implementation of concepts related to corporate visual
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identity. Specially in the area related to themes which were
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divided into <emphasis>design models</emphasis> and
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<emphasis>artistic motifs</emphasis> to eliminate the content
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duplication produced by having both image structure and image
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visual style in the same file. Now, both
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<command>centos-art.sh</command> and repository directory
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structure are able to produce themes as result of arbitrary
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combinations between design models (structures) and artistic
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motifs (visual styles).</para>
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<para>In the documentation area, the documentation files in LaTeX
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format were migrated to Texinfo format. In this configuration,
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each directory structure in the repository has a documentation
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entry associated in a Texinfo structure which can be read, edited
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and administered (e.g., renamed, deleted, copied) interactively
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throuch <command>centos-art.sh</command>. Additionally, the
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<command>texi2html</command> program was used to produced XHTML
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output customized by CSS from The CentOS Webenv.</para>
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<para>Around 2011, the <command>centos-art.sh</command> script was
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redesigned to start translating SVG and other XML-based files
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(e.g., XHTML and Docbook files) through the
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<command>xml2po</command> program and shell scripts files (e.g.,
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Bash scripts) through GNU <command>gettext</command> tools. This
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configuration provided a stronger interface for graphic designers,
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translators and programmers to produce localized content. The SED
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files are no longer used to handle translations.</para>
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<para>Consolidate the render , help and
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locale functionalities as the most frequent tasks
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performed inside the repository. Additionally, the
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prepare and tuneup functionalities are
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maintained as useful tasks.</para>
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<para>The <command>centos-art.sh</command> script is updated to
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organize functionalities in two groups: <quote>the administrative
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functionalities</quote> and <quote>the productive
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functionalities</quote>. The administrative functionalities cover
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actions like: copying, deleting and renaming directory structures
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inside the repository. Also, preparing your workstation for using
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<command>centos-art.sh</command> script, making backups of the
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distribution theme currently installed, installing themes created
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inside repository and restoring themes from backup. On the other
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hand, the productive functionalities cover actions like: content
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rendition, content localization, content documentation and content
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maintainance.</para>
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</sect1>
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