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This section describes the organization of files and directories
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inside the CentOS Artwork Repository, the names convenctions, how to
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extend the current layout and the way content is produced, as well.
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The repository layout is used as standard backend for automation
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scripts to work correctly. If repository layout changes unexpectedly,
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automation scripts may get confuse themselves and stop doing what you
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may expect from them to do.
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As convenction, inside CentOS Artwork Repository, files and
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directories related to CentOS corporate visual identity are organized
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under three top level directories named: @file{trunk/},
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@file{branches/}, and @file{tags/}.
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The @file{trunk/} directory (@pxref{Directories trunk}) organizes the main
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development line of CentOS corporate visual identity. Inside
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@file{trunk/} directory structure, the CentOS corporate visual
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identity concepts are implemented using directories. There is one
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directory level for each relevant concept inside the repository. The
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@file{trunk/} directory structure is mainly used to perform
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development tasks related to CentOS corporate visual identity.
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The @file{branches/} directory (@pxref{Directories branches}) oranizes
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parallel development lines to @file{trunk/} directory. The
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@file{branches/} directory is used to set points in time where
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develpment lines are devided one from another taking separte and
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idependent lives that share a common past from the point they were
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devided on. The @file{branches/} directory is mainly used to perform
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quality assurance tasks related to CentOS corporate visual identity.
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The @file{tags/} directory (@pxref{Directories tags}) organizes parallel frozen
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lines to @file{branches/} directory. The parallel frozen lines are
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immutable, nothing change inside them once they has been created. The
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@file{tags/} directory is mainly used to publish final releases of
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CentOS corporate visual identity.
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The CentOS Artwork Repository layout is firmly grounded on a
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Subversion base. Subversion (@url{http://subversion.tigris.org}) is a
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version control system, which allows you to keep old versions of files
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and directories (usually source code), keep a log of who, when, and
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why changes occurred, etc., like CVS, RCS or SCCS. Subversion keeps a
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single copy of the master sources. This copy is called the source
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``repository''; it contains all the information to permit extracting
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previous versions of those files at any time.
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@subsection Repository file names
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Repository name convenctions are applied to files and directories
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inside the repository layout. As convenction, file names are all
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written in lowercase (@samp{01-welcome.png}, @samp{splash.png},
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@samp{anaconda_header.png}, etc.) and directory names are all written
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capitalized (e.g., @samp{Identity}, @samp{Themes}, @samp{Motifs},
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@samp{TreeFlower}, etc.).
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Repository name convenctions are implemented inside the
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@code{cli_getRepoName} function of @file{centos-art.sh} script. With
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@code{cli_getRepoName} function the amount of commands and
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convenctions to remember are reduced and concentrated in just one
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single place to look for fixes and improvements.
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@subsection Work lines
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Work lines describe different areas of content production inside
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CentOS Artwork Repository. Content production inside these specific
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areas may vary as much as persons be working on them. Producing
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content in too many different ways may result innapropriate in a
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collaborative environment like CentOS Artwork Repository where content
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produced in one area depends somehow from content produced in another
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different area. To produce content in a syncronized but descentralized
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way, it is required to define a content production standard for each
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work line that everyone uses as reference to realize their work.
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The standard way of producing content inside CentOS Artwork Repository
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is implemented through @command{centos-art.sh} script and described in
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@command{centos-art.sh} script related documentation entry
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(@pxref{Directories trunk Scripts}).
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Inside CentOS Artwork Repository, work lines are organized in
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@emph{Graphic design}, @emph{Documentation}, @emph{Localization} and
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@emph{Automation}.
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@subsubsection Graphic design
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
798844 |
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This work line exists to cover brand design, typography design and
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theme design. Additionally, some auxiliar areas like icon design,
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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illustration design for documentation, brushes design, pattern designs
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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and palettes with color definitions could be included here for
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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completeness.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Inside CentOS Artwork Repository, graphic design is performed through
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Inkscape and GIMP program. Inkscape is used create and manipulate
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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scalable vector graphics and export them to PNG format; it also
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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provides a command-line interface that we use to automate the
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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exportation process so you can perform massive exportation of SVG
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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files to PNG files. On the other hand, GIMP is used to create and
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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manipulate rastered images, create brushes, patterns and palettes of
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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colors. Notice that each program provides very specific
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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functionalities and posibilities that when combined can let you
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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produce very beautiful images.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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The CentOS Project Corporate Identity is made of several visual
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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manifestations. These visual manifestations implement the Corporate
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Identity by mean of images placed in key areas of their visual space.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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To produce these images, we decompose image production in @emph{design
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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models} and @emph{artistic motifs}. Design models provide the image
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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structure (i.e., dimension, translation markers, common designs, etc.)
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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and are generally produced as scalable vector graphics generally. On
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the other hand, artistic motifs provide the visual style (i.e., the
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background information, the look and feel) and are generally produced
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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as rastered images.
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Design models are created for each visual manifestation the CentOS
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Project is made of. This way we describe the visual manifestation and
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provide a template system for it where several artistic motifs can be
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applied. Artistic motifs are created with design models in mind, not
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the visual manifestation that design models are built for.
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c2929c |
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The result produced by combining one design model with one artistic
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
c2929c |
motif is what we know as a @emph{theme}. Inside themes directory
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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structure (@pxref{Directories trunk Identity Themes}), you can find
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several design models and several artistic motifs, apart one another,
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that can be albitrarily combined one another through @emph{theme
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rendition}, a flexible way to produce images for different visual
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c2929c |
manifestations inside CentOS Artwork Repository. Inside themes
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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directory structure, theme rendition is performed in
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@file{trunk/Identity/Themes/Motifs} directory structures and takes
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design models from @file{trunk/Identity/Themes/Models} directory
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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structure.
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In addition to theme rendition, you can find another way of image
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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production, a more direct way of image production where there is no
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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artistic motif at all, but design models only. Such configuration is
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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named @emph{direct rendition} and is very useful to produce simple
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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content that doesn't need specific background information (e.g., icons
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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and illustrations for documentation). Direct rendition takes place in
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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@file{trunk/Identity/Models} and @file{trunk/Identity/Images}
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directory structures.
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@xref{Directories trunk Identity}, for more information on graphic
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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design.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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@subsubsection Documentation
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This work line exists to describe what each directory structure inside
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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the CentOS Artwork Repository is for and how to produce content inside
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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them.
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Documentation is supported by Texinfo, a documentation system that
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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uses a single source file to produce both online information and
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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printed output.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Documentation is organized in the same way of CentOS Artwork
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Repository directory structure. In the CentOS Artwork Repository we
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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use directories to store conceptual ideas of The CentOS Project
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Corporate Visual Identity. This way, each directory in CentOS Artwork
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Repository has its own documentation section to describe the related
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conceptual ideas it is based on. Documentation entries related to
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repository directory structure are organized in sections under
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@emph{Repository Directories} chapter (@pxref{Directories}).
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The file structure of documentation related to the repository
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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directory structures is stored under @file{trunk/Manual/Directories}
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directory structure and controlled by the @code{help} functionality of
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@command{centos-art.sh} script. Using this functionality you can
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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create, edit and remove documentation for each directory structure
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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inside the repository; so you don't need to take care of updating
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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menus, nodes and cross reference information inside the manual
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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structure, the functionality takes care of it for you. However, if
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87b230 |
you need to write repository documentation that have nothing to do
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with directory structure (e.g., Preface, Introduction and similar) you
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need to do it manually, there is no functionality to automate such
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process yet.
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@xref{Directories trunk Manual}, for more information on
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documentation.
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@subsubsection Localization
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This work line exists to localize corporate design and documentation
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source files, so they can be produced in different languages.
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Whatever content rendition you perform, sometimes you need to produce
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content in different languages. Production of content in different
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languages is known as localization or l10n for short. Inside CentOS
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Artwork Repository, content localization is performed using the
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processes provided by @command{gettext} internationalization standard.
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Basically, the @command{gettext} internationalization standard
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consists on retriving translatable strings from source files and
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creating Portable Objects and Machine Objects. Portable Objects
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contain the information used by translators to do their work, they are
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files that can be edited by any convenctional text editor like Vim,
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Emacs or Nano. On the other hand, Machine Objects are produced to be
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machine-redable as its name implies, and are produced from Portable
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Objects.
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Since @command{gettext} needs to extract translatable strings form
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source files in order to let translators to localize them, the types
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of source files we use inside the repository are limitted to the file
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types supported by @command{gettext} program. Most of the source files
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supported by @command{gettext} are those from programming languages
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like C, C++, Bash, Python and Perl just to mention a few ones from the
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long list of supported formats. However, formats like SVG, XHTML and
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Docbook don't figure as supported in the long list of
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@command{gettext} supported source files.
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To translate XML based source files like SVG, XHTML and Docbook we use
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the @command{xml2po} program. This program comes with
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@file{gnome-doc-utils} package and reads one XML based file to extract
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translatable strings from it. As result it creates one Portable Object
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that is use by @command{xml2po} itself to create a translated XML
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based file with the same definition of the source file where
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translatable strings were taken from (e.g., if we extract translatable
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strings from a SVG file, as result we get the same SVG file but with
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translatable strings already localized ---obviously, for this to
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happen translators need to localize translatable strings inside the
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Portable Object first, localization won't appear as art of magic---).
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When using @command{xml2po}, the Machine Object file is used just
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temporally to produce the final translated XML based file.
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@quotation
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@strong{Tip} If you want to have your content localized inside CentOS
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Artwork Repository be sure to use source files supported by
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@command{gettext} and @command{xml2po} programs.
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@end quotation
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@xref{Directories trunk Locales}, for more information.
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@subsubsection Automation
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This work line exists to standardize content production inside CentOS
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Artwork Repository. There is no need to repeat several tasks time
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after time if they can be programmed in just one. If you need to
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improve the way content is produced, look inside automation scripts
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and make your improvement there for every one to benefit.
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So far, we've seen a conceptual view of how image production inside
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CentOS Artwork Repository is performed, but how all this is
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implemented, what is the practical view?
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The practical view can be found through @command{centos-art.sh}
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script, a bash script specially designed to automate most frequent
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tasks inside CentOS Artwork Repository. The @command{centos-art.sh}
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script is stored in @file{trunk/Scripts} directory structure and is
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there where the main development for @command{centos-art.sh} script
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takes place. Basically, the @command{centos-art.sh} script is divided
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in several functionalities that perform specific tasks inside the
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repository. Such functionalities relay on repository organization to
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work as expected.
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Maiking the @command{centos-art.sh} script to automate tasks is the
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87b0e4 |
only possible work flow that I can think about right now. If you are a
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87b0e4 |
programmer, take a functionality from @command{centos-art.sh} script,
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study it, look how to improve it and share your ideas at
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87b230 |
@email{centos-devel@@centos.org} mailing list or create your own new
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87b230 |
functionalities and propose them as well.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b0e4 |
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87b0e4 |
@quotation
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87b0e4 |
@strong{Note} As default configuration, everyone is denied from
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b0e4 |
committing changes up to CentOS Artwork Repository. In order to gain
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b0e4 |
commit rights, you need to prove your interest in contributing and
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b0e4 |
maintaining that contribution. Otherwise, if you only want to comment
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b0e4 |
your ideas, the @email{centos-devel@@centos.org} mailing list exists
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b0e4 |
for you to manifest yourself. This restrictions are necessary to
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b0e4 |
protect our work from spammers.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b0e4 |
@end quotation
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c2929c |
@xref{Directories trunk Scripts}, for more information on automation.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
8e4e50 |
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87b230 |
@subsection Connection between directories
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87b230 |
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87b230 |
In order to produce content correctly inside CentOS Artwork
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Repository, it is required that all work lines be connected somehow.
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87b230 |
This way it could be possible to know what design models and
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translation messages to use in order to produce a specific content.
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87b230 |
This directory connection between work lines takes place through one
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87b230 |
@emph{master path} that may have several @emph{auxiliar paths}.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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87b230 |
Master paths are those whose contain source files used to produce base
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87b230 |
content and auxiliar paths provide the files used to modify the
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production of such base content. For example, when images are produced
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87b230 |
from source files, the directory structure that holds source files is
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
considered the master path and all other directory structures are
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87b230 |
considered auxiliar paths. There are auxiliar paths to store images,
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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translation messages and documentation.
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87b230 |
Auxiliar paths take their structure from one unique parent path.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Inside CentOS Artwork Repository, this unique parent path is under
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87b230 |
@file{trunk/Identity} directory structure. The @file{trunk/Identity}
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87b230 |
location must be considered as a reference for whatever information
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87b230 |
you plan to create inside the repository. For example, all the
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87b230 |
possible paths related to brands component production, are:
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87b230 |
@table @file
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87b230 |
@item trunk/Identity/Models/Brands
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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87b230 |
This is the master path where source files used to produce brands are
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
stored in.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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87b230 |
@item trunk/Locales/Identity/Models/Brands
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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87b230 |
This is the auxiliar path where translation messages used to produce
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
brands, if there is any at all, are stored in.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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87b230 |
@item trunk/Manual/Directories/trunk/Locales/Identity/Models/Brands.texi
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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87b230 |
This is the auxiliar path where documentation about translation
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
messages, used to produce brands are stored in.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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87b230 |
@item trunk/Identity/Images/Brands
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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87b230 |
This is the auxiliar path where output images produced as result of
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
rendition are stored in.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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87b230 |
@item trunk/Manual/Directories/trunk/Identity/Models/Brands.texi
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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87b230 |
This is the auxiliar path where documentation about brand design is
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
stored in. This is, how brands are constructed, the color information,
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
the proportions, etc. Notice that it points to a regular file, not a
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
directory as other auxilar path use to do.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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87b230 |
@item trunk/Manual/Directories/trunk/Identity/Images/Brands.texi
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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87b230 |
This is the auxiliar path where documentation about brand
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
implementation. This is, how the brand is applied and how it cannot be
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
applied in each different visual manifestation. Notice that it points
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87b230 |
to a regular file, not a directory as other auxiliar path use to do.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
@end table
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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87b230 |
The configuration described above for organizing brand component
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
inside the repository is the one used by direct rendition and can be
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87b230 |
used as reference to organize other components inside the repository
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
that are produced through direct rendition too. Just change the
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
component name from brands to that one you want to add without
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
changing the path structure around it.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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87b230 |
The file organization used by theme rendition, however, is a bit
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
different from that used by direct rendition. In theme rendition, both
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
master paths and auxiliar paths are built dynamically based on the
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
design model and the artistic motifs you specify at rendition time. As
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
a mnemotechnic resource, consider theme rendition as two independent
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
lists, one list of design models and one list of artistic motifs,
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
which are arbitrary combined among themselves in order to render
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
images. For example, consider the organization used to produce
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Anaconda images to CentOS distribution major release 5 from Default
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
design model and Flame artistic motif:
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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@table @file
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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@item trunk/Identity/Themes/Models/Default/Distro/5/Anaconda
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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This directory contains source files used to produce Anaconda images
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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for CentOS distribution major release 5 using Default design models.
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Here is where you, as graphic designers, define Default design models for
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Anaconda images used in CentOS distribution major release 5.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
The path to this directory is considered master because it contains
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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the most critical information (i.e., the information that can't be
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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absent) required to produce Anaconda images used inside CentOS
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
distribution major release 5.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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@item trunk/Manual/Directories/trunk/Identity/Themes/Models/Default/Distro/5/Anaconda.texi
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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This file contains documentation, in Texinfo format, for Default
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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design models used to produce the Anaconda images used inside CentOS
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
distribution major release 5.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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Here is where you, as documentor, describe construction of Default
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
desing models used to produce the Anaconda images for CentOS
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
distribution major release 5. In this description you can include
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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image dimensions, color information, image location inside
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
distribution filesystem, image packaging and similar things.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
The path to this file is considered auxiliar for
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
@file{trunk/Identity/Themes/Models/Default/Distro/5/Anaconda} master
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
path because provides the description required to let everyone know
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
how to build Default design models used to produce Anaconda images
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
required by CentOS distribution major release 5.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
@item trunk/Locales/Identity/Themes/Models/Default/Distro/5/Anaconda
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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This directory contains translation files, as @command{gettext}
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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portable objects, for Default design models used to produce the
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Anaconda images used inside CentOS distribution major release 5.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Here is where you, as translator, localize translatable strings
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
retrived in English language from Default design models used to
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
produce the Anaconda images of CentOS distribution major release 5 to
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
your own language. If no portable object is found here, content is
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
produced in English language.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
The path to this directory is considered auxiliar for
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
@file{trunk/Identity/Themes/Models/Default/Distro/5/Anaconda} master
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
path because provides the language-specific information required to
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
produce Anaconda Default design models in different languages.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
@item trunk/Manual/Directories/trunk/Locales/Identity/Themes/Models/Default/Distro/5/Anaconda.texi
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
This file contains documentation, in Texinfo format, for translation
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
messages retrived from Default design models used to produce the
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Anaconda images used inside CentOS distribution major release 5.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Here is where you, as documentor, describe localization of Default
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
desing models used to produce the Anaconda images used in CentOS
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
distribution major release 5. In this description you can include
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
image dimensions, color information, image location inside
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
distribution filesystem, image packaging and similar things.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
The path to this file is considered auxiliar for
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
@file{trunk/Identity/Themes/Models/Default/Distro/5/Anaconda} master
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
path because provides the language-specific information required to
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
produce Anaconda Default design models in different languages.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Each master path has its own auxiliar path to store their specific
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
documentation and whatever the artistic motifs used to produce images
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
be is somthing irrelevant.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
@item trunk/Identity/Themes/Motifs/Flame/3/Distro/5/Anaconda
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
This directory contains Anaconda final images produced from Anaconda
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Default design models used by CentOS distribution major release 5 and
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Flame 3 artistic motif.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
|
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
Here is where you, as packager, can find the images you need to
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
rebrand Anaconda in CentOS distribution major release 5.
|
|
![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
87b230 |
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The path to this directory is considered auxiliar for
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@file{trunk/Identity/Themes/Models/Default/Distro/5/Anaconda} master
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path because it provides the final images produced from Anaconda
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Default design models.
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@item trunk/Manual/Directories/trunk/Identity/Themes/Motifs/Flame/3/Distro/5/Anaconda.texi
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This directory should contain documentation about how to implement
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Anaconda component in CentOS distribution major release 5 would be.
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However, since all artistic motifs are produced based on one design
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model (@file{trunk/Identity/Themes/Models/Default/Distro/5/Anaconda},
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in this case) we may end up duplicating the same documentation in all
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artistic motifs documentation entries and there is no need of that.
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To avoid duplicating information, all documentation related to theme
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components like Anaconda is put in design model documentation entires
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(@file{trunk/Manual/Directories/trunk/Locales/Identity/Themes/Models/Default/Distro/5/Anaconda.texi}
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in this case). The only reason to create documentation entries inside
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artistic motifs is to put a redirection admonition to link design
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model related information.
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@end table
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The Anaconda component is part of CentOS Distribution visual
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manifestation. Inside CentOS Distribution visual manifestation there
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are other components Syslinux, Grub, Rhgb, Gdm, Kdm, Gsplash and
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Ksplash that share a similar file organization to that described for
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Anaconda component. The way each of these components is produced is
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described in their own documentation entry.
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When one master path is changed, it is required to change the related
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auxiliar path related to it, too. This is required in order for master
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paths to retain their relation with their auxiliar paths. This way,
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automation script are able to know where to retrive translation
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messages, where to store final output images and where to look for
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documentation. If relation between master paths and auxiliar paths is
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lost, there is no way for automation scripts to know where to retrive
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the information required by for task automation.
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The auxiliar paths should never be modified under no reason but to
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satisfy the relation to their master paths. Liberal change of
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auxiliar paths may suppress the conceptual idea they were initially
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created for; and certainly, things may stop working the way they
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should.
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@subsection Syncronizing path information
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The master and auxiliar paths concept is very useful to keep
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repository organized but introduce some complications. For instance,
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consider what would happen to functionalities like @code{help}, that
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rely on master paths to create documentation entries, through auxiliar
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paths, if one of those master paths suddenly change after the
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documentation entry has been already created for it?
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In such cases, functionalities like @code{help} may confuse themselves
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if path information is not updated to reflect the appropriate path
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relation. Such functionalities work with master paths as reference;
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if a master path is changed, the functionalities won't even note it
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because they work with the last master path available in the
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repository, no matter what it is.
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In the specific case of documentation (the @code{help} functionality),
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the problem mentioned above provokes that older master paths, already
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documented, remain inside documentation directory structures as long
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as you get your hands into the documentation directory structure
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(@file{trunk/Manual}) and change what must be changed to match the new
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master path information.
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There is no immediate way for @code{help} and similar functionalities
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that use master paths as reference, to know when and how the path
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information is changed inside the repository. Such information is
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available only when files or directories are moved in the repository.
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So, is there, at the moment of moving files, when we need to
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syncronize paths information between master paths and auxiliar paths
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and rename old paths to new paths inside all the files which includes
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them (e.g., scalalble vector graphics, documentation files and
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translation files files) and commit everything to keep the central
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repository up to date.
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@quotation
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@strong{Warning} Even Subversion can perform some operations using
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URLs, there is not support for URLs inside @command{centos-art.sh}
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script. The @command{centos-art.sh} script is designed to work with
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local files inside the working copy only. If you need to work on URLs
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directly, use Subversion command-line interface instead of
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@command{centos-art.sh} script.
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@end quotation
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File movement inside the repository is considered a repository change
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and it should be recorded as such. In order for this to happen, we
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need to add directories and files into the version control system to
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make them part of it, commit them, perform the file movement using
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version control system commands and finally commit all files related
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in the operation. This configuration makes possible for everyone to
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know about changes details inside the repository; and if needed,
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revert or update them back to a previous revision.
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Once all path information has been updated in the filesystem, it is
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time to update path information inside all the files involved in the
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operation. Considere what would happen to documentation entries
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defined in the documentation manual when the target locations they
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point to are removed from filesystem. Certainly, that would make
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Texinfo to produce an error message when documentation manual is
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exported to output files. Something similar could happen to scalable
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vector graphics that include artistic motifs background images and
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translation messages with path information inside.
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So, in order to keep path information syncronized, the
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@file{centos-art.sh} script needs to know when such changes happen, in
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a way they could be noted and handled without producing errors (e.g.,
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replacing old path information to new path information inside all the
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files that may include any kind of path information inside).
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@subsection Extending repository structure
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Occasionly, you may find that new corporate visual identity components
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need to be added to the repository. If that is your case, the first
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question you need to ask yourself, before start to create directories
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blindly all over, is: What is the right place to store it?
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The best place to find answers is in The CentOS Community (see page
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@url{http://wiki.centos.org/GettingHelp}), but going there with hands
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empty is not good idea. It may give the impression you don't really
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care about. Instead, consider the following suggestions to find your
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own comprehension in order to make your own propositions based on it.
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The best advice we probably could offer you, when extending
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respository structure, is to bear in mind The CentOS Project Corporate
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Identity Structure (@pxref{Directories trunk Identity}). The rest is
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just matter of choosing appropriate names.
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To illustrate this desition process let's consider the
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@file{trunk/Identity/Themes/Motifs/TreeFlower} directory structure as
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example. It can be read as: the trunk development line of
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@emph{TreeFlower} artistic motif; artistic motifs are part of themes;
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and themes part of CentOS corporate visual identity.
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When building parent directory structures, you may find that reaching
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an acceptable location may take some time, and as it uses to happen
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most of time; once you've find one, that may be not a definite
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solution. There are many concepts you need to play with, in order to
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find a result that match the conceptual idea you try to implement in
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the new directory structure. To know which these concepts are, split
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directory structures and read their documentation entry from less
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specific to more specific. The concepts used in
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@file{trunk/Identity/Themes/Distro/Motifs/TreeFlower} directory
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structure are described in the following documentation entries,
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respectively:
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@verbatim
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centos-art help --read turnk/
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centos-art help --read turnk/Identity/
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centos-art help --read turnk/Identity/Themes/
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centos-art help --read turnk/Identity/Themes/Motifs/
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centos-art help --read turnk/Identity/Themes/Motifs/TreeFlower/
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@end verbatim
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The @file{trunk/Identity/Themes/Motifs/TreeFlower} location has
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evolved through several months of contant work and there is no certain
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it won't change in the future, even it fixes quite well the concept we
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are trying to implement. Other location concepts can be found in the
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same way described above, just change the directory structure to the
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one you are trying to know concepts for.
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