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This section describes the organization of files and directories
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inside the CentOS Artwork Repository, the names convenctions, how to
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extend the current layout and the way content is produced, as well.
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The repository layout is used as standard backend for automation
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scripts to work correctly. If repository layout changes unexpectedly,
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automation scripts may get confuse themselves and stop doing what you
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may expect from them to do.
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As convenction, inside CentOS Artwork Repository, files and
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directories related to CentOS corporate visual identity are organized
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under three top level directories named: @file{trunk/},
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@file{branches/}, and @file{tags/}.
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The @file{trunk/} directory (@pxref{Directories trunk}) organizes the main
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development line of CentOS corporate visual identity. Inside
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@file{trunk/} directory structure, the CentOS corporate visual
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identity concepts are implemented using directories. There is one
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directory level for each relevant concept inside the repository. The
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@file{trunk/} directory structure is mainly used to perform
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development tasks related to CentOS corporate visual identity.
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The @file{branches/} directory (@pxref{Directories branches}) oranizes
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parallel development lines to @file{trunk/} directory. The
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@file{branches/} directory is used to set points in time where
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develpment lines are devided one from another taking separte and
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idependent lives that share a common past from the point they were
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devided on. The @file{branches/} directory is mainly used to perform
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quality assurance tasks related to CentOS corporate visual identity.
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The @file{tags/} directory (@pxref{Directories tags}) organizes parallel frozen
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lines to @file{branches/} directory. The parallel frozen lines are
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immutable, nothing change inside them once they has been created. The
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@file{tags/} directory is mainly used to publish final releases of
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CentOS corporate visual identity.
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The CentOS Artwork Repository layout is firmly grounded on a
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Subversion base. Subversion (@url{http://subversion.tigris.org}) is a
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version control system, which allows you to keep old versions of files
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and directories (usually source code), keep a log of who, when, and
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why changes occurred, etc., like CVS, RCS or SCCS. Subversion keeps a
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single copy of the master sources. This copy is called the source
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``repository''; it contains all the information to permit extracting
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previous versions of those files at any time.
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@subsection Repository file names
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Repository name convenctions are applied to files and directories
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inside the repository layout. As convenction, file names are all
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written in lowercase (@samp{01-welcome.png}, @samp{splash.png},
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@samp{anaconda_header.png}, etc.) and directory names are all written
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capitalized (e.g., @samp{Identity}, @samp{Themes}, @samp{Motifs},
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@samp{TreeFlower}, etc.).
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Repository name convenctions are implemented inside the
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@code{cli_getRepoName} function of @file{centos-art.sh} script. With
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@code{cli_getRepoName} function the amount of commands and
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convenctions to remember are reduced and concentrated in just one
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single place to look for fixes and improvements.
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@subsection Worklines
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In this section describes a serie of normalized steps used to produce
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contents inside the CentOS Artwork Repository.
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@subsubsection Graphic design
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This work line exists to cover brand design, typography design and
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theme design. Other areas that could be included here are icon design
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and illustration design for documentation.
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Graphic design production is automated by means of @emph{direct
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rendition} and @emph{theme rendition}. Content rendition, in general,
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is the action through which The CentOS Project Corporate Identity is
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produced inside the repository. The CentOS Project Corporate Identity
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is made, in part, of several visual manifestations. These visual
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manifestations implement the Corporate Identity by mean of images
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placed in key areas of their visual space.
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As work flow to produce these images, we decompose them in design
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models and artistic motifs. Design models provide the image structure
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(i.e., dimension, translation markers, common designs, etc.) and
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artistic motifs the visual style (i.e., the background information
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provide the look and feel).
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Design models are created for each visual manifestation the CentOS
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Project is made of. This way we describe the visual manifestation and
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provide a template system for it where several artistic motifs can be
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applied. Artistic motifs are created with design models in mind, not
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the visual manifestation such design models is built for.
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The combination of one design models with one artistic motifs is what
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we know as one @emph{theme}. Inside themes directory structure, you
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can find several design models and several artistic motifs, apart one
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another, that can be albitrarily combined one another through
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@emph{theme rendition}, a flexible way to produce images for different
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visual manifestations inside CentOS Artwork Repository. Theme
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rendition takes place in @file{trunk/Identity/Themes/Models} and
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@file{trunk/Identity/Themes/Motifs} directory structures.
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In addition to theme rendition, you can find another way of image
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production, a more direct way of image production where there is no
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artistic motif at all, but design models only. Such configuration is
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named @emph{direct rendition} and is very useful to produce simple
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content that doesn't need specific background information like icons
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and illustrations used in documentation. Direct rendition takes place
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in @file{trunk/Identity/Models} and @file{trunk/Identity/Images}
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directory structures.
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@xref{Directories trunk Identity}, for more information.
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@subsubsection Documentation
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This work line exists to describe what each directory structure inside
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the CentOS Artwork Repository is for and how to produce content inside
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it.
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@xref{Directories trunk Manual}, for more information.
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@subsubsection Localization
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This work line exists to localize corporate design and documentation
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source files, so they can be produced in different languages.
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Whatever content rendition you perform, sometimes you need to produce
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content in different languages. Production of content in different
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languages is known as localization or l10n for short. Inside CentOS
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Artwork Repository, content localization is performed using the
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processed provided by @command{gettext} internationalization standard.
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Basically, the @command{gettext} internationalization standard
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consists on retriving translatable strings from source files and
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creating Portable Objects and Machine Objects. Portable Objects
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contain the information used by translators to do their work, they are
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files that can be edited by any convenctional text editor like Vim,
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Emacs or Nano. On the other hand, Machine Objects are produced to be
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machine-redable as its name implies, and are produced from Portable
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Objects.
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Since @command{gettext} needs to extract translatable strings form
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source files in order to let translators to localize them, the types
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of source files we use inside the repository are limitted to the file
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types supported by @command{gettext} program. Most of source files
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supported by @command{gettext} are those from programming languages
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like C, C++, Bash, Python and Perl just to mention a few ones from the
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long list of supported formats. However, formats like SVG, XHTML and
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Docbook don't figure as supported in the long list of
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@command{gettext} supported source files. For these formats we use the
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@command{xml2po} program that come in the @file{gnome-doc-utils}
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package instead. The @command{xml2po} program reads one XML based
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file and extracts translatable strings from it and creates one
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Portable Object that is use to create a translated XML based file with
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the same definition of the source file where translatable strings were
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taken from (e.g., if we extract translatable strings from a SVG file,
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as result we get the same SVG file but with translatable strings
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already localized ---obviously, for this to happen translators need to
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localize translatable strings inside the Portable Object first,
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localization won't appear as art of magic---). When using
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@command{xml2po}, the Machine Object file is used just temporally to
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produce the final translated XML based file.
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@quotation
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@strong{Tip} If you want to have your content localized inside CentOS
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Artwork Repository be sure to use source files supported by
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@command{gettext} and @command{xml2po} programs.
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@end quotation
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@xref{Directories trunk Locales}, for more information.
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@subsubsection Automation
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This work line exists to standardize corporate design, documentation
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and localization processes and automate their production. There is no
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need to repeat several tasks time after time if they can be programmed
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in just one for you to execute. If you need to improve the way content
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is produced, look inside automation scripts and make your improvement
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there for every one to benefit.
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So far, we've seen a conceptual view of how image production inside
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CentOS Artwork Repository is performed, but how all this is
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implemented, what is the practical view?
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The practical view can be found through @command{centos-art.sh}
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script, a bash script specially designed to automate most frequent
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tasks inside CentOS Artwork Repository. The @command{centos-art.sh}
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script is stored in @file{trunk/Scripts} directory structure and is
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there where the main development for @command{centos-art.sh} script
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takes place. Basically, the @command{centos-art.sh} script is divided
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in several functionalities that perform specific tasks inside the
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repository. Such functionalities relay on repository organization to
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work as expected.
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Maiking the @command{centos-art.sh} script to automate tasks is the
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only possible work flow that I can think about right now. If you are a
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programmer, take a functionality from @command{centos-art.sh} script,
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study it, look how to improve it and share your ideas at
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@email{centos-devel@@centos.org} mailing list.
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@quotation
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@strong{Note} As default configuration, everyone is denied from
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committing changes up to CentOS Artwork Repository. In order to gain
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commit rights, you need to prove your interest in contributing and
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maintaining that contribution. Otherwise, if you only want to comment
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87b0e4 |
your ideas, the @email{centos-devel@@centos.org} mailing list exists
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for you to manifest yourself. This restrictions are necessary to
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protect our work from spammers.
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@end quotation
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8e4e50 |
@xref{Directories trunk Scripts}, for more information.
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@subsection Parallel directories
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Inside CentOS Artwork Repository, parallel directories are simple
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directory entries built from a common parent directory and placed in a
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location different to that, the common parent directory is placed on.
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Parallel directories are useful to create branches, tags,
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translations, documentation, pre-rendering configuration script, and
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similar directory structures.
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Parallel directories take their structure from one unique parent
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directory. Inside CentOS Artwork Repository, this unique parent
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directory is under @file{trunk/Identity} location. The
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@file{trunk/Identity} location must be considered the reference for
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whatever information you plan to create inside the repository.
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In some circumstances, parallel directories may be created removing
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uncommon information from their paths. Uncommon path information
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refers to those directory levels in the path which are not common for
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other parallel directories. For example, when rendering
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@file{trunk/Identity/Themes/Motifs/TreeFlower/Distro} directory
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structure, the @file{centos-art.sh} script removes the
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@file{Motifs/TreeFlower/} directory levels from path, in order to
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build the parallel directory used to retrived translations, and
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pre-rendering configuration scripts required by @code{render}
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functionality.
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Another example of parallel directory is the documentation structure
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created by @code{manual} functionality. This time,
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@file{centos-art.sh} script uses parallel directory information with
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uncommon directory levels to build the documentation entry required by
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Texinfo documentation system, inside the repository.
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Othertimes, parallel directories may add uncommon information to their
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paths. This is the case we use to create branches and tags. When we
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create branches and tags, a numerical identifier is added to parallel
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directory structure path. The place where the numerical identifier is
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set on is relevant to corporate visual identity structure and should
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be carefully considered where it will be.
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When one parent directory changes, all their related parallel
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directories need to be changed too. This is required in order for
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parallel directories to retain their relation with the parent
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directory structure. In the other hand, parallel directories should
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never be modified under no reason but to satisfy the relation to their
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parent directory structure. Liberal change of parallel directories
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may suppresses the conceptual idea they were initially created for;
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and certainly, things may stop working the way they should do.
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@subsection Syncronizing path information
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Parallel directories are very useful to keep repository organized but
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introduce some complications. For instance, consider what would
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happen to functionalities like @code{manual} (@samp{trunk Scripts Bash
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Functions Manual}) that rely on parent directory structures to create
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documentation entries (using parallel directory structures) if one of
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those parent directory structures suddenly changes after the
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documentation entry has been already created for it?
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In such cases, functionalities like @code{manual} may confuse
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themselves if path information is not updated to reflect the relation
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with its parent directory. Such functionalities work with parent
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directory structure as reference; if a parent directory changes, the
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functionalities dont't even note it because they work with the last
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parent directory structure available in the repository, no matter what
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it is.
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In the specific case of documentation (the @code{manual}
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functionality), the problem mentioned above provokes that older parent
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directories, already documented, remain inside documentation directory
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structures as long as you get your hands into the documentation
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directory structure (@file{trunk/Manuals}) and change what must be
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changed to match the new parent directory structure.
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There is no immediate way for @code{manual}, and similar
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functionalities that use parent directories as reference, to know when
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and how directory movements take place inside the repository. Such
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information is available only when the file movement itself takes
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place inside the repository. So, is there, at the moment of moving
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files, when we need to syncronize parallel directories with their
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unique parent directory structure.
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@quotation
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@strong{Warning} There is not support for URL reference inside
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@file{centos-art.sh} script. The @file{centos-art.sh} script is
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designed to work with local files inside the working copy only.
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@end quotation
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As CentOS Artwork Repository is built over a version control system,
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file movements inside the repository are considered repository
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changes. In order for these repository changes to be versioned, we
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need to, firstly, add changes into the version control system, commit
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them, and later, perform movement actions using version control system
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commands. This configuration makes possible for everyone to know about
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changes details inside the repository; and if needed, revert or update
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them back to a previous revision.
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Finally, once all path information has been corrected, it is time to
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take care of information inside the files. For instance, considere
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what would happen if you make a reference to a documentation node, and
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later the documentation node you refere to is deleted. That would make
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Texinfo to produce error messages at export time. So, the
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@file{centos-art.sh} script needs to know when such changes happen, in
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a way they could be noted and handled without producing errors.
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@subsection What is the right place to store it?
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Occasionly, you may find that new corporate visual identity components
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need to be added to the repository. If that is your case, the first
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question you need to ask yourself, before start to create directories
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blindly all over, is: What is the right place to store it?
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The CentOS Community different free support vains (see:
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@url{http://wiki.centos.org/GettingHelp}) are the best place to find
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answers to your question, but going there with hands empty is not good
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idea. It may give the impression you don't really care about. Instead,
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consider the following suggestions to find your own comprehension and
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so, make your propositions based on it.
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When we are looking for the correct place to store new files, to bear
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in mind the corporate visual identity structure used inside the CentOS
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Artwork Repository (@pxref{Directories trunk Identity}) would be probaly the best
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advice we could offer, the rest is just matter of choosing appropriate
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names. To illustrate this desition process let's consider the
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@file{trunk/Identity/Themes/Motifs/TreeFlower} directory as example.
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It is the trunk development line of @emph{TreeFlower} artistic motif.
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Artistic motifs are considered part of themes, which in turn are
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considered part of CentOS corporate visual identity.
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When building parent directory structures, you may find that reaching
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an acceptable location may take some time, and as it uses to happen
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most of time; once you've find it, that may be not a definite
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solution. There are many concepts that you need to play with, in
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order to find a result that match the conceptual idea you try to
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implement in the new directory location. To know which these concepts
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are, split the location in words and read its documentation entry from
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less specific to more specific.
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For example, the @file{trunk/Identity/Themes/Motifs/TreeFlower}
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location evolved through several months of contant work and there is
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no certain it won't change in the future, even it fixes quite well the
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concept we are trying to implement. The concepts used in
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@file{trunk/Identity/Themes/Distro/Motifs/TreeFlower} location are
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described in the following commands, respectively:
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@verbatim
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centos-art manual --read=turnk/
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centos-art manual --read=turnk/Identity/
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centos-art manual --read=turnk/Identity/Themes/
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centos-art manual --read=turnk/Identity/Themes/Motifs/
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centos-art manual --read=turnk/Identity/Themes/Motifs/TreeFlower/
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![](https://seccdn.libravatar.org/avatar/6547be6a776b3f31e43b7f4b6dd82ebcede0f2d11be196e3a70e28760a760a3c?s=16&d=retro) |
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@end verbatim
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Other location concepts can be found similary as we did above, just
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change the location we used above by the one you are trying to know
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concepts for.
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