@subsection Goals

This section exists to organize files related to @code{path}

functiontionality.  The @code{path} functionality standardizes

movement, syncronization, branching, tagging, and general file

maintainance inside the repository. 

@subsection Description

@emph{''CentOS like trees, has roots, trunk, branches, leaves and

flowers.  Day by day they work together in freedom, ruled by the laws

of nature and open standards, to show the beauty of its existence.''}

@subsubsection Repository layout

The repository layout describes organization of files and directories

inside the repository. The repository layout provides the standard

backend required for automation scripts to work correctly. If such

layout changes unexpectedly, automation scripts may confuse themselves

and stop doing what we expect from them to do.

As convenction, inside CentOS Artwork Repository, we organize files

and directories related to CentOS corporate visual identity under

three top level directories named: @file{trunk/}, @file{branches/},

and @file{tags/}. 

The @file{trunk/} directory (@pxref{trunk}) organizes the main

development line of CentOS corporate visual identity. Inside

@file{trunk/} directory structure, the CentOS corporate visual

identity concepts are implemented using directories.  There is one

directory level for each relevant concept inside the repository. The

@file{trunk/} directory structure is mainly used to perform

development tasks related to CentOS corporate visual identity.

The @file{branches/} directory (@pxref{branches}) oranizes parallel

development lines to @file{trunk/} directory. The @file{branches/}

directory is used to set points in time where develpment lines are

devided one from another taking separte and idependent lives that

share a common past from the point they were devided on. The

@file{branches/} directory is mainly used to perform quality assurance

tasks related to CentOS corporate visual identity.

The @file{tags/} directory (@pxref{tags}) organizes parallel frozen

lines to @file{branches/} directory.  The parallel frozen lines are

immutable, nothing change inside them once they has been created.  The

@file{tags/} directory is mainly used to publish final releases of

CentOS corporate visual identity.

The CentOS Artwork Repository layout is firmly grounded on a

Subversion base.  Subversion (@url{http://subversion.tigris.org}) is a

version control system, which allows you to keep old versions of files

and directories (usually source code), keep a log of who, when, and

why changes occurred, etc., like CVS, RCS or SCCS.  Subversion keeps a

single copy of the master sources.  This copy  is called the source

``repository''; it contains all the information to permit extracting

previous versions of those files at any time.

@subsubsection Repository name convenctions

Repository name convenctions help us to maintain consistency of names

inside the repository.

Repository name convenctions are applied to files and directories

inside the repository layout. As convenction, inside the repository

layout, file names are all written in lowercase

(@samp{01-welcome.png}, @samp{splash.png}, @samp{anaconda_header.png},

etc.) and directory names are all written capitalized (e.g.,

@samp{Identity}, @samp{Themes}, @samp{Motifs}, @samp{TreeFlower},

etc.).

Repository name convenctions are implemented inside the

@code{cli_getRepoName} function of @file{centos-art.sh} script. With

@code{cli_getRepoName} function we reduce the amount of commands and

convenctions to remember, concentrating them in just one single place

to look for fixes and improvements.

@subsubsection Repository work flow

Repository work flow describes the steps and time intervals used to

produce CentOS corporate visual identity inside CentOS Artwork

Repository.  

To illustrate repository work flow let's consider themes' development

cycle. 

Initially, we start working themes on their trunk development line

(e.g., @file{trunk/Identity/Themes/Motifs/TreeFlower/}), here we

organize information that cannot be produced automatically (i.e.,

background images, concepts, color information, screenshots, etc.).

Later, when theme trunk development line is considered ``ready'' for

implementation (e.g.,  all required backgrounds have been designed),

we create a branch for it (e.g.,

@file{branches/Identity/Themes/Motifs/TreeFlower/1/}).  Once the

branch has been created, we forget that branch and continue working

the trunk development line while others (e.g., an artwork quality

assurance team) test the new branch for tunning it up. 

Once the branch has been tunned up, and considered ``ready'' for

release, it is freezed under @file{tags/} directory (e.g.,

@file{tags/Identity/Themes/Motifs/TreeFower/1.0/}) for packagers,

webmasters, promoters, and anyone who needs images from that CentOS

theme the tag was created for.

Both branches and tags, inside CentOS Artwork Repository, use

numerical values to identify themselves under the same location.

Branches start at one (i.e., @samp{1}) and increment one unit for each

branch created from the same trunk development line.  Tags start at

zero (i.e., @samp{0}) and increment one unit for each tag created from

the same branch development line.

@quotation

@strong{Convenction} Do not freeze trunk development lines using tags

directly.  If you think you need to freeze a trunk development line,

create a branch for it and then freeze that branch instead.

@end quotation

The trunk development line may introduce problems we cannot see

immediatly. Certainly, the high changable nature of trunk development

line complicates finding and fixing such problems. On the other hand,

the branched development lines provide a more predictable area where

only fixes/corrections to current content are commited up to

repository. 

If others find and fix bugs inside the branched development line, we

could merge such changes/experiences back to trunk development line

(not visversa) in order for future branches, created from trunk, to

benefit.

Time intervals used to create branches and tags may vary, just as

different needs may arrive. For example, consider the release schema

of CentOS distribution: one major release every 2 years, security

updates every 6 months, support for 7 years long. Each time a CentOS

distribution is released, specially if it is a major release, there is

a theme need in order to cover CentOS distribution artwork

requirements. At this point, is where CentOS Artwork Repository comes

up to scene. 

Before releasing a new major release of CentOS distribution we create

a branch for one of several theme development lines available inside

the CentOS Artwork Repository, perform quality assurance on it, and

later, freeze that branch using tags. Once a the theme branch has been

frozen (under @file{tags/} directory), CentOS Packagers (the persons

whom build CentOS distribution) can use that frozen branch as source

location to fulfill CentOS distribution artwork needs. The same

applies to CentOS Webmasters (the persons whom build CentOS websites),

and any other visual manifestation required by the project.

@subsubsection Parallel directories

Inside CentOS Artwork Repository, parallel directories are simple

directory entries built from a common parent directory and placed in a

location different to that, the common parent directory is placed on.

Parallel directories are useful to create branches, tags,

translations, documentation, pre-rendering configuration script, and

similar directory structures.

Parallel directories take their structure from one unique parent

directory. Inside CentOS Artwork Repository, this unique parent

directory is under @file{trunk/Identity} location.  The

@file{trunk/Identity} location must be considered the reference for

whatever information you plan to create inside the repository.

In some circumstances, parallel directories may be created removing

uncommon information from their paths. Uncommon path information

refers to those directory levels in the path which are not common for

other parallel directories.  For example, when rendering

@file{trunk/Identity/Themes/Motifs/TreeFlower/Distro} directory

structure, the @file{centos-art.sh} script removes the

@file{Motifs/TreeFlower/} directory levels from path, in order to

build the parallel directory used to retrived translations, and

pre-rendering configuration scripts required by @code{render}

functionality.

Another example of parallel directory is the documentation structure

created by @code{manual} functionality. This time,

@file{centos-art.sh} script uses parallel directory information with

uncommon directory levels to build the documentation entry required by

Texinfo documentation system, inside the repository.

Othertimes, parallel directories may add uncommon information to their

paths. This is the case we use to create branches and tags. When we

create branches and tags, a numerical identifier is added to parallel

directory structure path. The place where the numerical identifier is

set on is relevant to corporate visual identity structure and should

be carefully considered where it will be.

When one parent directory changes, all their related parallel

directories need to be changed too. This is required in order for

parallel directories to retain their relation with the parent

directory structure.  In the other hand, parallel directories should

never be modified under no reason but to satisfy the relation to their

parent directory structure.  Liberal change of parallel directories

may suppresses the conceptual idea they were initially created for;

and certainly, things may stop working the way they should do.

@subsubsection Syncronizing path information

Parallel directories are very useful to keep repository organized but

introduce some complications.  For instance, consider what would

happen to functionalities like @code{manual} (@samp{trunk Scripts Bash

Functions Manual}) that rely on parent directory structures to create

documentation entries (using parallel directory structures) if one of

those parent directory structures suddenly changes after the

documentation entry has been already created for it? 

In such cases, functionalities like @code{manual} may confuse

themselves if path information is not updated to reflect the relation

with its parent directory.  Such functionalities work with parent

directory structure as reference; if a parent directory changes, the

functionalities dont't even note it because they work with the last

parent directory structure available in the repository, no matter what

it is. 

In the specific case of documentation (the @code{manual}

functionality), the problem mentioned above provokes that older parent

directories, already documented, remain inside documentation directory

structures as long as you get your hands into the documentation

directory structure (@file{trunk/Manuals}) and change what must be

changed to match the new parent directory structure.

There is no immediate way for @code{manual}, and similar

functionalities that use parent directories as reference, to know when

and how directory movements take place inside the repository. Such

information is available only when the file movement itself takes

place inside the repository. So, is there, at the moment of moving

files, when we need to syncronize parallel directories with their

unique parent directory structure.

@quotation

@strong{Warning} There is not support for URL reference inside

@file{centos-art.sh} script.  The @file{centos-art.sh} script is

designed to work with local files inside the working copy only.

@end quotation

As CentOS Artwork Repository is built over a version control system,

file movements inside the repository are considered repository

changes. In order for these repository changes to be versioned, we

need to, firstly, add changes into the version control system, commit

them, and later, perform movement actions using version control system

commands. This configuration makes possible for everyone to know about

changes details inside the repository; and if needed, revert or update

them back to a previous revision.

Finally, once all path information has been corrected, it is time to

take care of information inside the files. For instance, considere

what would happen if you make a reference to a documentation node, and

later the documentation node you refere to is deleted. That would make

Texinfo to produce error messages at export time. So, the

@file{centos-art.sh} script needs to know when such changes happen, in

a way they could be noted and handled without producing errors.

@subsubsection What is the right place to store it?

Occasionly, you may find that new corporate visual identity components

need to be added to the repository. If that is your case, the first

question you need to ask yourself, before start to create directories

blindly all over, is: What is the right place to store it?

The CentOS Community different free support vains (see:

@url{http://wiki.centos.org/GettingHelp}) are the best place to find

answers to your question, but going there with hands empty is not good

idea. It may give the impression you don't really care about. Instead,

consider the following suggestions to find your own comprehension and

so, make your propositions based on it.

When we are looking for the correct place to store new files, to bear

in mind the corporate visual identity structure used inside the CentOS

Artwork Repository (@pxref{Filesystem trunk Identity}) would be probaly the best

advice we could offer, the rest is just matter of choosing appropriate

names.  To illustrate this desition process let's consider the

@file{trunk/Identity/Themes/Motifs/TreeFlower} directory as example.

It is the trunk development line of @emph{TreeFlower} artistic motif.

Artistic motifs are considered part of themes, which in turn are

considered part of CentOS corporate visual identity.

When building parent directory structures, you may find that reaching

an acceptable location may take some time, and as it uses to happen

most of time; once you've find it, that may be not a definite

solution.  There are many concepts that you need to play with, in

order to find a result that match the conceptual idea you try to

implement in the new directory location. To know which these concepts

are, split the location in words and read its documentation entry from

less specific to more specific.

For example, the @file{trunk/Identity/Themes/Motifs/TreeFlower}

location evolved through several months of contant work and there is

no certain it won't change in the future, even it fixes quite well the

concept we are trying to implement.  The concepts used in

@file{trunk/Identity/Themes/Distro/Motifs/TreeFlower} location are

described in the following commands, respectively:

@verbatim

centos-art manual --read=turnk/

centos-art manual --read=turnk/Identity/

centos-art manual --read=turnk/Identity/Themes/

centos-art manual --read=turnk/Identity/Themes/Motifs/

centos-art manual --read=turnk/Identity/Themes/Motifs/TreeFlower/

@end verbatim

Other location concepts can be found similary as we did above, just

change the location we used above by the one you are trying to know

concepts for.

@subsection Usage

@table @command

@item centos-art path --copy='SRC' --to='DST'

Copy @option{SRC} to @option{DST} and schedule @option{DST} for

addition (with history).  In this command, @file{SRC} and @file{DST}

are both working copy (WC) entries.

@item centos-art path --delete='SRC'

Delete @option{DST}. In order for this command to work the file or

directory you intend to delete should be under version control first.

In this command, @file{SRC} is a working copy (WC) entry.  

@end table

@subsection See also

@menu

* Filesystem trunk Scripts Bash::

@comment --- Removed(* Filesystem trunk Scripts Bash Functions::) ---

@end menu