Blame Identity/Manual/repository-html/repository_2.html

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<title>CentOS Artwork Repository: 1.1 History</title>
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    <meta name="copyright" content="2009-2011 Alain Reguera Delgado" />
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[Contents]
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[Index]
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1.1 History

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This section records noteworthy changes of CentOS Artwork Repository.

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2008

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The CentOS Artwork Repository started at CentOS Developers mailing

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list (centos-devel@centos.org) during a discussion about how
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to automate the slide images of Anaconda. In such discussion, Ralph
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Angenendt rose up his hand to ask: Do you have something to show? 
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To answer the question, Alain Reguera Delgado posted a bash script to

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produce slide images in different languages --together with the
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proposition of creating a Subversion centralized repository where
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translations and image production could be distributed inside The
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CentOS Community--.
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Karanbirn Sighn considered the idea intresting and provides the

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infrastructure to support the effort. This way both the CentOS Artwork
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SIG and the CentOS Artwork Repository were created.
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  • https://projects.centos.org/svn/artwork/
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  • https://projects.centos.org/trac/artwork/
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    Once the CentOS Artwork Repository was available, Alain Reguera

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    Delagdo uploaded the bash script for rendering Anaconda slides and
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    Ralph Angenendt documented the script very well.
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    Once the rendition script and its documentation were available online,

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    translators started to download working copies of CentOS Artwork
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    Repository to produce slide images in their own languages.
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    2009

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    The rendition script is designed to take one SVG file, apply one SED

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    file with replacement command inside to produce one SVG translated
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    instance that is used to produce one translated PNG image by means of
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    Inkscape program.  The rendition script was named render.sh
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    and it is copied to each directory structure that requires such
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    process to produce images. 
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    Furthermore, functionalies are centralized in a common placed and

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    linked from different directory structures. There is no need to have
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    the same code in different directory structures if can have it in just
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    one place and then create links to it.
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    Start to implement concepts about corporate identity. As referece it

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    is used Wikipedia (http://en.wikipedia.org/Corporate_identity)
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    and the book Corporate Identity by Wally Olins (1989). The main
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    goal of render.sh becomes to: automate production of a
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    monolithic corporate visual identity structure based on The CentOS
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    Mission and The CentOS Release Schema. 
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    Around March, Alain Reguera Delgado is out of Internet for an

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    undefined amount of time, but continues developing the idea of CentOS
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    Artwork Repository and the rendition script off-line. 
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    Most of the work I propose from this time on is my own responsability.

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    I keep myself thinking to be part of the CentOS Artwork SIG and in
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    that sake, I use the personal pronoun we to refer what I do as
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    part of the group hoping someday to share this work with you again and
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    improve it together.
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    The CentOS Artwork Repository documentation starts to take form in

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    LaTeX format.
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    2010

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    The render.sh is removed from the repository directory

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    structures and the centos-art.sh script is used instead. The
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    centos-art.sh is created to be a command-line interface that
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    automate most frequent tasks inside the repository and can be called
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    anywhere inside the repository or outside it; whenever it points to a
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    directory structure inside the repository. At the very first moments
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    of using centos-art.sh command-line, it used to have the
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    following using form:
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    centos-art function --action=path/to/dir
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    Inside the rendition script, functionalities started to get identified

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    and separated one another. For example, when images are rendered,
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    there is no need to load manual functionality. There are now common
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    functionalities and specific functionalities. Common functionalities
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    are loaded when the script is initiated and are available to specific
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    functionalities.
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    Start using getopt to handle command-line options.

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    The repository directory structure is optimized to continue

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    implementing corporate identity concepts and the centos-art
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    command-line.
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    2011

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    The `trunk/Translation' directory structure is removed. The

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    `trunk/Locales' directory structure is used instead to store locale
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    information. 
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    The `.sed' translation files are no longer used, scalable vector

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    graphics are used instead.  Translation messages take place by means
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    of xml2po and gettext. With xml2po translatable strings are retrived
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    from `.svg' files and stored inside gettext `.pot' and `.po' files for
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    translators to edit. Finally, xml2po is used again to build the
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    temporal design model translated instance which the final `.png' image
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    is built from.
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    Inside centos-art.sh, update command-line arguments and

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    options parsing. Keep using getopt to parse options passed
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    in the command-line, but change the way centos-art.sh is
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    called from. The following form is used:
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    centos-art function path/to/dir --options
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    Start using verbs to name the centos-art.sh functionalities.

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    Organize centos-art.sh functionalities in "administrative"

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    functions and "productive" functions.  Administrative functions
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    cover actions like: copying, deleting and renaming directory
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    structures. Also, preparing your workstation for using
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    centos-art command-line, make backups of the distribution
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    theme currently installed,  installing themes created inside The
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    CentOS Artwork repository and restoring themes from backup.  On the
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    other hand, productive functions cover actions like: content
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    rendition, content localization, content documentation and content
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    maintainance.
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