Blame Corporate/corporate.asciidoc

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The CentOS Project Corporate Visual Identity
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Alain Reguera Delgado <al@centos.org.cu>
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v1.0, Jul 2013
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Abstract
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--------
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The CentOS Project Corporate Identity is the ``persona'' of the
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organization known as The CentOS Project.  The CentOS Project
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Corporate Identity plays a significant role in the way The CentOS
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Project, as organization, presents itself to both internal and
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external stakeholders. In general terms, The CentOS Project Corporate
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Identity expresses the values and ambitions of The CentOS Project
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organization, its business, and its characteristics.
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The CentOS Project Corporate Identity provides visibility,
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recognizability, reputation, structure and identification to The
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CentOS Project organization by means of Corporate Design, Corporate
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Communication, and Corporate Behavior.
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[[corporate_identity]]
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.The CentOS Project Corporate Identity
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image::corporate.png[alt="The CentOS Project Corporate Identity"]
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Corporate Mission
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-----------------
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The CentOS Project exists to produce The CentOS Distribution, an
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Enterprise-class Linux Distribution derived from sources freely
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provided to the public by a prominent North American Enterprise Linux
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vendor.  The CentOS Distribution conforms fully with the upstream
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vendors redistribution policy and aims to be 100% binary compatible.
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(The CentOS Distribution mainly changes packages to remove upstream
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vendor branding and artwork.).
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The CentOS Distribution is developed by a small but growing team of
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core developers.  In turn the core developers are supported by an
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active user community including system administrators, network
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administrators, enterprise users, managers, core Linux contributors
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and Linux enthusiasts from around the world.
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The CentOS Distribution has numerous advantages including: an active
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and growing user community, quickly rebuilt, tested, and QA'ed errata
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packages, an extensive mirror network, developers who are contactable
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and responsive of a reliable Enterprise-class Linux Distribution,
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multiple free support avenues including a
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http://wiki.centos.org/[Wiki],
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http://www.centos.org/modules/tinycontent/index.php?id=8[IRC Chat],
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http://lists.centos.org/[Email Lists],
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http://www.centos.org/modules/newbb/[Forums], and a dynamic
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http://www.centos.org/modules/smartfaq/[FAQ].
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Corporate Graphic Design
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------------------------
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Corporate graphic design is focused on the presentation of corporate
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messages with efficiency and efficacy. Corporate graphic design is a
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cornerstone of corporate visual identity.  When the organization
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doesn't take control over the corporate messages it produces, the
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organization is letting that area of its identity to the unknown and
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the result might be good or not so good, it is hard to know.  Even the
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organization doesn't take control over its corporate messages they are
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always talking about the organization.  Taking control of corporate
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messages presentation is a decision the organization needs to take by
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itself, based on its need of better describe what it is.  To work out
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the corporate graphic design of an organization it is required to
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identify which are the visual manifestations the organization reflects
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its existence on.
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The CentOS Artwork SIG has identified the following visual
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manifestations for The CentOS Project organization:
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* GNU/Linux Distribution -- to control the operating system appearance.
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* Web environment -- to control the web applications appearance.
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* Promotion -- to control the industrial media appearance.
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[[centos-brand]]
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Corporate Brand
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~~~~~~~~~~~~~~~
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The corporate brand is the graphical identification of an
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organization.  The CentOS Artwork SIG uses The CentOS Brand to connect
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all the visual manifestations The CentOS Project is made of (e.g.,
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GNU/Linux Distributions, Websites, Stationery, etc.) and, this way, it
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provides visual recognition among similar projects available on the
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Internet.
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The CentOS Brand is composed of a graphical component known as The
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CentOS Symbol and a typographical component known as The CentOS Type.
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When The CentOS Symbol and The CentOS Type are put together, they
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create what we know as The CentOS Logo.  All the components that make
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The CentOS Brand can be used together or separately, considering that,
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in hierarchy order, The CentOS Logo is rather preferred than The
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CentOS Symbol, as well as The CentOS Symbol is rather preferred than
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The CentOS Type alone.
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image:corporate-logo-howto.png[corporate-logo-howto.png]
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The CentOS Brand must be exactly the same every time it is printed
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out, no matter what the medium is.  A route to reproduce The CentOS
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Brand this way must be used so as to avoid reproduction mistakes of
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any kind when final images are branded with it. To prevent such
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mistakes, The CentOS Artwork SIG uses configuration files and the
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*render* module of *centos-art.sh* script to produce PNG brand images
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of different sizes and colors that can be combined later with other
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images instead of manipulating The CentOS Brand in SVG format inside
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each different design model that requires it.  This also grants a
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single point of change for all brands already applied on final images.
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In this environment, if you make a change to brands SVG files, they
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will be propagated to all final images the next time you render them.
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The CentOS Symbol is the graphical part of The CentOS Logo. As The
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CentOS Logo, The CentOS Symbol is used to ``brand'' images produced by
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The CentOS Project and provide visual connection between images so
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they can be monolithically recognized as part of The CentOS Project.
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The CentOS Symbol must be exactly the same every time it is printed
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out and a route to reproduce it in such a way must be available so as
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to avoid reproduction mistakes when images are branded with it.
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The CentOS Type is the typographical part of The CentOS Logo.  The
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CentOS Type is used to ``brand'' images produce by The CentOS Project
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and provide visual connection between images so they can be
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monolithically recognized as part of The CentOS Project.  The CentOS
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Type alone provides less recognition than The CentOS Logo and The
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CentOS Symbol. Frequently, The CentOS Type is used to advert the major
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release of CentOS Distribution on the first images shown as part of
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Distribution installation process.  The CentOS Symbol and any release
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information printed out with it must have exactly the same proportions
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every time they are printed out.
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Corporate Fonts
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~~~~~~~~~~~~~~~
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The CentOS Artwork SIG uses the following font files in their
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corporate graphic designs:
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image:corporate-fonts.png[corporate-fonts.png]
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Corporate Colors
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~~~~~~~~~~~~~~~~
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In addition to colors used in The CentOS Symbol (9ccd2aff, 932279ff,
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262577ff, efa724ff) and The CentOS Default Background Color
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(204c8dff), The CentOS Artwork SIG uses the following colors in their
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corporate graphic designs:
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image:../corporate-colors.png[corporate-colors.png]
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Artistic motifs have not any limitation in the number of colors used.
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If you are a graphic designer creating artistic motifs for The CentOS
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Project, feel free to take your creativeness at its limit by creating
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color-full artistic motifs. For final bootup images which require a
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reduced number of colors, create palette of colors for them with the
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appropriate number of colors and let the *render* module of
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*centos-art.sh* script to do the rest.
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[[centos-clothes]]
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Corporate Clothes
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~~~~~~~~~~~~~~~~~
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The CentOS clothes identify the The CentOS Project representative
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people at public presentations.
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image:../corporate-clothes-head.png[corporate-clothes-cap.png]
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image:../corporate-clothes-torso.png[corporate-clothes-shirt.png]
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[[corporate-themes]]
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Corporate Themes
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~~~~~~~~~~~~~~~~
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The CentOS themes organize visual styles for all the visual
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manifestation The CentOS Project is made of. In order to automate the
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process of rendering images based on customizable patterns, themes
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have been divided into ``design models'', ``localization files,'' and
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``artistic motifs.''
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image:corporate-themes.png[corporate-themes.png]
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[[corporate-themes-models]]
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Design Models
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^^^^^^^^^^^^^
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Design models are compressed SVG files created with Inkscape. They
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describe the image files used to implement the CentOS project visual
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manifestations.  For example, in the specific case of CentOS
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distribution, each final image you want to re-brand has a design model
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associated used to set the final image dimensions, whether or not it
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has round borders, and what background to use on it.  Design models
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are created once and rarely modified through time. They are only
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modified if the visual manifestation they refer to changes or needs to
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be tuned up.
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[[corporate-themes-l10n]]
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Localization Files
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^^^^^^^^^^^^^^^^^^
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Localization files provide localization for messages inside design
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models. For example, if you decide to use slide images in CentOS
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installer, you need to create one design model for each slide image
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you want to produce in English language. Then, using *locale* module,
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you create PO files for each design model you have. PO files are
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created using the current language information of your terminal (e.g.,
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see value of +LANG+ variable). Then you use the *locale* module again
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to edit the PO files and provide string translations from English to
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your preferred language.  Once translations are on the PO files, you
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use the *render* module to produce images for your preferred language,
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based on the artistic motif you initiate rendition for and the related
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design models set in the rendition configuration file.
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[[corporate-themes-motifs]]
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Artistic Motifs
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^^^^^^^^^^^^^^^
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Artistic motifs are PNG images holding the look and feel of each
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design model available.  One important characteristic of artistic
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motifs is preserving one unique visual style for all the PNG images
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they are made of.  Artistic motifs aren't limited in number. It is
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possible to have several artistic motifs and produce final images for
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all of them using one single set of design models. Artistic motifs
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give plenty of room for graphic designers' creativeness.  As
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convention, artistic motifs are conceived without any specific brand
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information on them. The brand information is set using brand images
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later, when final images are produced.
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[[corporate-communication]]
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Corporate Communication
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-----------------------
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The CentOS Project corporate communication is focused on the effective
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propagation of corporate messages. Propagation of corporate messages
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is closely related to the media the organization uses as vehicle to
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distribute its corporate messages.
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The CentOS Project corporate communication takes place through the
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following visual manifestations:
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The CentOS Distribution
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~~~~~~~~~~~~~~~~~~~~~~~
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This visual manifestation communicates its existence through software
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packages.  There are packages that make a remarkable use of images,
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packages that make a moderate use of images, and packages that don't
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use images at all.  This visual manifestation is focused on providing
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The CentOS Project images required by software packages that do use
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images in a remarkable way, specially those holding the upstream brand
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(e.g., _anaconda_, _grub_, _syslinux_, _gdm_, _kdebase_).
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- The Community Enterprise Operating System itself (communicates the
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  essence of The CentOS Project existence.).
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- Release Schema (Lifetime) and all the stuff related (e.g., Release
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  Notes, Documentation, Erratas, etc.).
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The CentOS Web
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~~~~~~~~~~~~~~
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This visual manifestation communicates its existence through web
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applications.  These web applications are free software and come from
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different providers which distribute their work with predefined visual
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styles.  Frequently, these predefined visual styles have no visual
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relation among themselves and introduce some visual contradictions
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when they all are put together.  Removing these visual contradictions
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is object of work for this visual manifestation.
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- The CentOS Chat.
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- The CentOS Mailing Lists.
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- The CentOS Forums.
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- The CentOS Wiki.
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- Special Interest Groups (SIGs).
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- Social Events, Interviews, Conferences, etc.
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- The extensive network of mirrors available for downloading ISO files
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  as well as RPMs and SRPMs used to build them up in different
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  architectures.
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The CentOS Showroom
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~~~~~~~~~~~~~~~~~~~
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This visual manifestation communicates its existence through
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production of industrial objects carrying The CentOS Brand.  These
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branded objects are directed to be distributed on social events and/or
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shops. They provide a way of promotion and commercialization that may
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help to reduce The CentOS Project expenses (e.g., electrical power,
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hosting, servers, full-time-developers, etc.), in a similar way as
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donations may do.
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- Stationery (e.g., Posters, Stickers, CD Lables and Sleeves).
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- Clothes (e.g., Shirts, T-shirts, Pullovers, Caps).
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- Installation media (e.g., CDs, DVD, Pen-drives).
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Corporate Behavior
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-------------------
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The CentOS Project corporate behavior is focused on the effective
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interaction of each member involved in the organization (e.g., core
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developers, community members, etc.).  It is related to ethics and
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politics used to do the things inside the organization. It is related
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to the sense of direction chosen by the organization and the way the
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organization projects itself to achieve it.
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The CentOS Project corporate behavior is based on a meritocracy (the
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more you do the more you are allowed to do).
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Corporate Structure
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-------------------
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The CentOS Project corporate structure is based on a Monolithic
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Corporate Visual Identity Structure. In this configuration, one unique
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name and one unique visual style is used in all visual manifestation
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The CentOS Project is made of.
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In a monolithic corporate visual identity structure, internal and
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external stakeholders use to feel a strong sensation of uniformity,
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orientation, and identification with the organization. No matter if
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you are visiting web sites, using the distribution, or acting on
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social events, the one unique name and one unique visual style
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connects them all to say: Hey! we are all part of The CentOS Project.
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Other corporate structures for The CentOS Project have been considered
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as well. Such is the case of producing one different visual style for
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each major release of The CentOS Distribution. This structure isn't
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inconvenient at all, but some visual contradictions could be
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introduced if it isn't applied correctly and we need to be aware of
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it. To apply it correctly, we need to know what The CentOS Project is
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made of.
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The CentOS Project, as organization, is mainly made of (but not
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limited to) three visual manifestations: The CentOS Distribution, The
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CentOS Web and The CentOS Showroom.  Inside The CentOS Distribution
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visual manifestations, The CentOS Project maintains near to four
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different major releases of The CentOS Distribution, in parallel.
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However, inside The CentOS Web visual manifestations, the content is
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produced for no specific release information (e.g., there is no a
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complete web site for each major release of The CentOS Distribution
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individually, but one web site to cover them all).  Likewise, the
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content produced in The CentOS Showroom is industrially created for no
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specific release, but The CentOS Project in general.
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In order to produce the The CentOS Project Monolithic Corporate Visual
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Identity Structure correctly, we need to consider all the visual
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manifestations The CentOS Project is made of, not just one of them.
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If one different visual style is implemented for each major release of
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The CentOS Distribution, which one of those different visual styles
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would be used to cover the remaining visual manifestations The CentOS
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Project is made of (e.g., The CentOS Web and The CentOS Showroom)?
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Probably you are thinking: yes, I see your point, but The CentOS Brand
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connects them all already, why would we need to join them up into the
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same visual style too, isn't it more work to do, and harder to
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maintain?  It is true that The CentOS Brand does connect all the
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visual manifestations it is present on, but that connection is even
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stronger if one unique visual style backups it.  In fact, whatever
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thing you do to strength the visual connection among The CentOS
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Project visual manifestations would be very good in favor of The
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CentOS Project recognition.
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Having just one visual style in all visual manifestations for eternity
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would be a very boring thing and would give the idea of a visually
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out-of-date project. So, there is no problem on creating new visual
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styles for each new major release of The CentOS Distribution, in order
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to refresh The CentOS Distribution visual style; the problem itself is
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in not propagating the new visual style created for the new release of
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The CentOS Distribution to all other visual manifestations The CentOS
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Project is made of, in a way The CentOS Project could be recognized no
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matter what visual manifestation be in front of us. Such lack of
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uniformity is what introduces the visual contradiction The CentOS
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Artwork SIG is precisely trying to solve by mean of automating the
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production of corporate themes inside The CentOS Artwork Repository.
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